A work in constant progress (and occasional regress).
Alias:
Хезер Конки
Heather Conkie is a veteran Canadian television writer and producer who began her career as an actress. She was featured in multiple children's shows in the 1980s on TVOntario beginning first with Polka Dot Door. Her first screenwriting credit was for Beethoven Lives Upstairs.
Executive Producer:
2010 A Heartland Christmas
2013 Port Hope
Music:
1987 The Kidnapping of Baby John Doe
2010 A Heartland Christmas
2013 Port Hope
Screenplay:
1987 The Kidnapping of Baby John Doe
1997 Marie Curie: More Than Meets the Eye
2005 Bailey's Billion$
2010 A Heartland Christmas
2010 Harriet the Spy: Blog Wars
2013 Port Hope
Teleplay:
1987 The Kidnapping of Baby John Doe
1997 Marie Curie: More Than Meets the Eye
2003 Mrs. Ashboro's Cat
2005 Bailey's Billion$
2010 A Heartland Christmas
2010 Harriet the Spy: Blog Wars
2013 Port Hope
Writer:
1987 The Kidnapping of Baby John Doe
1992 Beethoven Lives Upstairs
1995 Derby
1996 Rossini's Ghost
1997 Galileo: On the Shoulders of Giants
1997 Marie Curie: More Than Meets the Eye
1997 Newton : A Tale of Two Isaacs
1997 Pit Pony
2003 Mrs. Ashboro's Cat
2005 Bailey's Billion$
2010 A Heartland Christmas
2010 Harriet the Spy: Blog Wars
2013 Port Hope
Creator:
2007 Heartland
2023 The Way Home
???? Dear Aunt Agnes
Executive Producer:
2004 Dark Oracle
2007 Heartland
2023 The Way Home
???? Dear Aunt Agnes
Producer:
1999 Amazon
2004 Dark Oracle
2007 Heartland
2023 The Way Home
???? Dear Aunt Agnes
Writer:
1990 Road to Avonlea
1995 Flash Forward
1995 Jake and The Kid
1996 7th Heaven
1998 Emily of New Moon
1998 Legacy
1999 Amazon
2000 The Zack Files
2004 Dark Oracle
2007 Heartland
2023 The Way Home
???? Dear Aunt Agnes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.