A work in constant progress (and occasional regress).
Alias:
Бернард Хетценауер
Bernhard Hetzenauer was born in Innsbruck, Austria, and works as a filmmaker, writer, curator and visual artist in Germany, Austria, Mexico and South America. He studied film, fine arts and psychotherapy in Vienna, New York, Quito, Buenos Aires and Hamburg, with Bernhard Kleber, Helga Reidemeister, Wim Wenders and Pepe Danquart among others. Diploma degree from the University of Applied Arts Vienna. MFA degree from the University of Fine Arts Hamburg. His film and visual arts projects were shown in 28 countries and received various Austrian and international awards.
Additional Camera:
2013 A estas alturas de la vida
Cinematography:
2013 A estas alturas de la vida
2017 A God's Shadow
2020 The Birthmark
Co-Producer:
2013 A estas alturas de la vida
2015 City of Elephants
2017 A God's Shadow
2020 The Birthmark
Director:
2013 A estas alturas de la vida
2013 Über Gott, Alfi und Mexico
2014 Und in der Mitte der Erde war Feuer
2015 City of Elephants
2017 A God's Shadow
2020 The Birthmark
2023 They wanted to be loved
2023 Those Next to Us
Editor:
2013 A estas alturas de la vida
2013 Über Gott, Alfi und Mexico
2014 Und in der Mitte der Erde war Feuer
2015 City of Elephants
2017 A God's Shadow
2020 The Birthmark
2023 They wanted to be loved
2023 Those Next to Us
Producer:
2013 A estas alturas de la vida
2013 Über Gott, Alfi und Mexico
2014 Und in der Mitte der Erde war Feuer
2015 City of Elephants
2017 A God's Shadow
2020 The Birthmark
2023 They wanted to be loved
2023 Those Next to Us
Screenplay:
2013 A estas alturas de la vida
2013 Über Gott, Alfi und Mexico
2014 Und in der Mitte der Erde war Feuer
2015 City of Elephants
2017 A God's Shadow
2020 The Birthmark
2023 They wanted to be loved
2023 Those Next to Us
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.