Charles Moisson

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Director:
1896  Admiral Sallandrouze and General Tournier
1896  Asian Delegations
1896  Budapest : cortège du sceptre royal
1896  Budapest, Crown Procession
1896  Budapest, pont suspendu
1896  Cologne : arrivée de l'express
1896  Cologne: Sortie de la cathédrale
1896  Comtesse de Montebello
1896  Count of Montebello and General de Boisdeffre going to the Kremlin [Moscow]
1896  Cyclistes et cavaliers arrivant au cottage
1896  Francfort: réception de Guillaume II
1896  Le Ring
1896  Les souverains et les invités se rendant au sacre (escalier rouge)
1896  London, Cinematography Entry
1896  Milan, place du Dôme
1896  Moscow, Tverskaia Street
1896  Negro Street Dancers
1896  Pigeons sur la place Saint-Marc
1896  Rome, Piazza Colonna
1896  Rome, Wedding Procession of the Prince of Naples
1896  Rome, fin du cortège au mariage du prince de Naples
1896  Sous les tilleuls
1896  Steamship Arrival
1896  Venice Showing Gondolas
1896  Venise, arrivée en gondole
1896  Vienne : retour des courses
1896  Vienne, entrée du cinématographe
1897  Arrivée de M. le président dans l’arsenal
1897  Arrivée de M. le président à Sainte-Marie
1897  Arrivée de l’Elan
1897  Arrivée en voiture à la gare
1897  Bal des Sablaises
1897  Cortège de M. le président sortant de la gare
1897  Débarquement de M. le président au Carnet
1897  Débarquement des Sablaises
1897  Embarquement de M. le président au départ de l’Ile de Ré
1897  La fanfare des Sables
1897  Le président après l’inauguration du monument de Paul Baudry
1897  Le président arrivant à l’inauguration du monument de Paul Baudry
1897  M. le président arrivant au bal des Sablaises
1897  M. le président à l’hôpital militaire écoutant le compliment d’une petite fille
1897  Panorama de l’arsenal
1897  Panorama du port
1897  Rome, la gare
1897  Ré : débarquement de M. le président
1897  Réception à La Flotte
1897  Saintes : remise de décorations
1897  Train présidentiel

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.