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Andrew Lockley (b. 1971)

Birthplace:
Gosport, Hampshire, England, UK

Born:
May 5, 1971

Biography from TheMovieDB

Andrew Lockley (born 5 May 1971) is a British visual effects supervisor most known for working on most of Christopher Nolan's films.  He won at the 83rd Academy Awards for the film Inception in the category of Best Visual Effects. His win was shared with Peter Bebb, Chris Corbould, and Paul Franklin. He won again at the 87th Academy Awards for the film Interstellar, along with Franklin, again for Best Visual Effects, with Ian Hunter and Scott Fisher, and again at the 93rd Academy Awards for Best Visual Effects, as one of several winners, for Christopher Nolan's Tenet (2020) with Andrew Jackson, David Lee, and Fisher.  He has also been nominated five times for the BAFTA Award for Best Special Visual Effects, winning on two occasions for the films Inception and Interstellar, with the other nominations being for The Dark Knight Rises, Dunkirk, and Tenet.  Description above from the Wikipedia article Andrew Jackson, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Film Production

2D Supervisor:
2006  Children of Men
2011  Captain America: The First Avenger

Visual Effects Supervisor:
2006  Children of Men
2010  Inception
2011  Captain America: The First Avenger
2012  The Dark Knight Rises
2014  Interstellar
2016  Alice Through the Looking Glass
2016  Miss Peregrine's Home for Peculiar Children
2017  Dunkirk
2020  Tenet
2023  The Flash

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.