Julian Foddy

Julian Foddy is a Visual Effects Supervisor with a career spanning over two decades in the entertainment industry. After ten years working in VFX, he joined Industrial Light & Magic’s London studio in 2015, contributing to Teenage Mutant Ninja Turtles: Out of the Shadows and supervising a team on Transformers: The Last Knight. He also collaborated with John Knoll on Rogue One: A Star Wars Story, serving as Second Unit VFX Supervisor during the later stages of production. In 2017, Foddy supported Roger Guyett and Grady Cofer in supervising the visual effects for Steven Spielberg’s Ready Player One.  Before transitioning into digital visual effects in 2004, Foddy spent 15 years in the music industry, gaining international recognition as a DJ and record producer. He pursued a new path following a residency in Hong Kong and a three-month tour across Australia in 2003. Upon returning to the UK, he studied game design and digital entertainment at Derby University, launching his VFX career while still completing his studies.  Foddy quickly rose through the ranks of the 3D department. He became CG Supervisor on Paul Greengrass’s Green Zone within two years. He later tackled creating a fully CG lead character in the Simon Pegg and Nick Frost comedy Paul, which earned a VES Award nomination for Best Animated Character. His work as CG Supervisor continued on effects-heavy productions such as The Dark Knight Rises and Fast & Furious 6. During these projects, Foddy expanded his expertise to include on-set visual effects supervision, an area he particularly enjoys, with credits on films like Hercules and Geostorm. He has also served as Second Unit Visual Effects Supervisor and Splinter/Aerial Unit Director on multiple occasions.

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Visual Effects Supervisor:
2019  The Mandalorian
2024  The Acolyte

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.