A work in constant progress (and occasional regress).
Birthplace:
Grenoble, France
Born:
October 23, 1974
"Technology is no stranger to Jacques Perconte; he uses its defects as inspiration, pushing it to its limits and incorporating its margin of error into his creative practice. For Perconte, information technology is capable of providing an accurate representation of the world — not because of its capacity to capture and process the appearance of reality, but because of the chromatic vibrations that it emits, which are not merely mimetic vibrations, but can be compared to the vibrations of reality itself." (Nicole Brenez)
Director:
1996 razer
1998 Corps Numériques
1998 Promenade
2002 Early Abstraction
2002 Esz
2002 Snsz
2002 XSZ
2003 Isz
2003 Uaoen
2007 Le soleil de Patiras
2007 Uishet
2007 White Altaïr
2008 Pauillac, Margaux
2009 A fleur d’eau…
2009 Passage
2009 Satyagraha
2010 Après le feu
2012 Chuva
2012 Impressions
2012 Libres
2012 Sassetot-le-Mauconduit
2013 Paris
2013 Santa Maria Madalena
2013 Vine journal n°2
2013 Árvore da Vida (Madeira)
2014 Colorama
2014 L
2014 Mistral, Ribièra
2014 Salomé
2014 Vine journal n°4
2015 Ettrick
2015 Hypersoleils
2015 M
2015 Vine journal n°12
2016 Blés, Agenvillers
2016 Buccleuch Church on the Kirk Burn
2016 Save My Heart from the World
2016 Vielle-Saint-Girons, Untitled #3, Recording #2
2017 Faust
2017 Japa n°1
2017 Japa n°2
2017 Japa n°3
2017 Le Quinte Alpi
2017 Patiras
2017 Twenty Nine Minutes at Sea
2018 Albâtre
2018 Japa n°4
2018 Or / Or (Hawick)
2018 Or / Our (Budapest)
2018 tenir l'horizon presque deux minutes par un froid raisonable
2019 Or / Aour (Vienna)
2020 Before the collapse of Mont Blanc
2020 Le Tempestaire
2020 MEG 2152 (Perspectives For the 22nd Century)
2020 Par ma fenêtre
2020 Printtemps
2020 Une Chanson d’anniversaire
2021 15000ft
2022 Salammbô
2022 Silesilence
2023 Blanc Mont Blanc
2023 Coma Serrat
2023 Céleste Terrestre
2023 or, granite, gneiss, glace
2024 L’Effort, le monde
2024 Périls, péril
2024 Une petite heure dans les nuages, 2008
???? Conche à la Garenne n°1, Mille lumières en Marais Poitevin
Music:
1996 razer
1998 Corps Numériques
1998 Promenade
2002 Early Abstraction
2002 Esz
2002 Snsz
2002 XSZ
2003 Isz
2003 Uaoen
2007 Le soleil de Patiras
2007 Uishet
2007 White Altaïr
2008 Pauillac, Margaux
2009 A fleur d’eau…
2009 Passage
2009 Satyagraha
2010 Après le feu
2012 Chuva
2012 Impressions
2012 Libres
2012 Sassetot-le-Mauconduit
2013 Paris
2013 Santa Maria Madalena
2013 Vine journal n°2
2013 Árvore da Vida (Madeira)
2014 Colorama
2014 L
2014 Mistral, Ribièra
2014 Salomé
2014 Vine journal n°4
2015 Ettrick
2015 Hypersoleils
2015 M
2015 Vine journal n°12
2016 Blés, Agenvillers
2016 Buccleuch Church on the Kirk Burn
2016 Save My Heart from the World
2016 Vielle-Saint-Girons, Untitled #3, Recording #2
2017 Faust
2017 Japa n°1
2017 Japa n°2
2017 Japa n°3
2017 Le Quinte Alpi
2017 Patiras
2017 Twenty Nine Minutes at Sea
2018 Albâtre
2018 Japa n°4
2018 Or / Or (Hawick)
2018 Or / Our (Budapest)
2018 tenir l'horizon presque deux minutes par un froid raisonable
2019 Or / Aour (Vienna)
2020 Before the collapse of Mont Blanc
2020 Le Tempestaire
2020 MEG 2152 (Perspectives For the 22nd Century)
2020 Par ma fenêtre
2020 Printtemps
2020 Une Chanson d’anniversaire
2021 15000ft
2022 Salammbô
2022 Silesilence
2023 Blanc Mont Blanc
2023 Coma Serrat
2023 Céleste Terrestre
2023 or, granite, gneiss, glace
2024 L’Effort, le monde
2024 Périls, péril
2024 Une petite heure dans les nuages, 2008
???? Conche à la Garenne n°1, Mille lumières en Marais Poitevin
Producer:
1996 razer
1998 Corps Numériques
1998 Promenade
2002 Early Abstraction
2002 Esz
2002 Snsz
2002 XSZ
2003 Isz
2003 Uaoen
2007 Le soleil de Patiras
2007 Uishet
2007 White Altaïr
2008 Pauillac, Margaux
2009 A fleur d’eau…
2009 Passage
2009 Satyagraha
2010 Après le feu
2012 Chuva
2012 Impressions
2012 Libres
2012 Sassetot-le-Mauconduit
2013 Paris
2013 Santa Maria Madalena
2013 Vine journal n°2
2013 Árvore da Vida (Madeira)
2014 Colorama
2014 L
2014 Mistral, Ribièra
2014 Salomé
2014 Vine journal n°4
2015 Ettrick
2015 Hypersoleils
2015 M
2015 Vine journal n°12
2016 Blés, Agenvillers
2016 Buccleuch Church on the Kirk Burn
2016 Save My Heart from the World
2016 Vielle-Saint-Girons, Untitled #3, Recording #2
2017 Faust
2017 Japa n°1
2017 Japa n°2
2017 Japa n°3
2017 Le Quinte Alpi
2017 Patiras
2017 Twenty Nine Minutes at Sea
2018 Albâtre
2018 Japa n°4
2018 Or / Or (Hawick)
2018 Or / Our (Budapest)
2018 tenir l'horizon presque deux minutes par un froid raisonable
2019 Or / Aour (Vienna)
2020 Before the collapse of Mont Blanc
2020 Le Tempestaire
2020 MEG 2152 (Perspectives For the 22nd Century)
2020 Par ma fenêtre
2020 Printtemps
2020 Une Chanson d’anniversaire
2021 15000ft
2022 Salammbô
2022 Silesilence
2023 Blanc Mont Blanc
2023 Coma Serrat
2023 Céleste Terrestre
2023 or, granite, gneiss, glace
2024 L’Effort, le monde
2024 Périls, péril
2024 Une petite heure dans les nuages, 2008
???? Conche à la Garenne n°1, Mille lumières en Marais Poitevin
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.