Jacques Perconte (b. 1974)

Birthplace:
Grenoble, France

Born:
October 23, 1974

"Technology is no stranger to Jacques Perconte; he uses its defects as inspiration, pushing it to its limits and incorporating its margin of error into his creative practice. For Perconte, information technology is capable of providing an accurate representation of the world — not because of its capacity to capture and process the appearance of reality, but because of the chromatic vibrations that it emits, which are not merely mimetic vibrations, but can be compared to the vibrations of reality itself." (Nicole Brenez)

Additional information:

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Director:
1996  razer
1998  Corps Numériques
1998  Promenade
2002  Early Abstraction
2002  Esz
2002  Snsz
2002  XSZ
2003  Isz
2003  Uaoen
2007  Le soleil de Patiras
2007  Uishet
2007  White Altaïr
2008  Pauillac, Margaux
2009  A fleur d’eau…
2009  Passage
2009  Satyagraha
2010  Après le feu
2012  Chuva
2012  Impressions
2012  Libres
2012  Sassetot-le-Mauconduit
2013  Paris
2013  Santa Maria Madalena
2013  Vine journal n°2
2013  Árvore da Vida (Madeira)
2014  Colorama
2014  L
2014  Mistral, Ribièra
2014  Salomé
2014  Vine journal n°4
2015  Ettrick
2015  Hypersoleils
2015  M
2015  Vine journal n°12
2016  Blés, Agenvillers
2016  Buccleuch Church on the Kirk Burn
2016  Save My Heart from the World
2016  Vielle-Saint-Girons, Untitled #3, Recording #2
2017  Faust
2017  Japa n°1
2017  Japa n°2
2017  Japa n°3
2017  Le Quinte Alpi
2017  Patiras
2017  Twenty Nine Minutes at Sea
2018  Albâtre
2018  Japa n°4
2018  Or / Or (Hawick)
2018  Or / Our (Budapest)
2018  tenir l'horizon presque deux minutes par un froid raisonable
2019  Or / Aour (Vienna)
2020  Before the collapse of Mont Blanc
2020  Le Tempestaire
2020  MEG 2152 (Perspectives For the 22nd Century)
2020  Par ma fenêtre
2020  Printtemps
2020  Une Chanson d’anniversaire
2021  15000ft
2022  Salammbô
2022  Silesilence
2023  Blanc Mont Blanc
2023  Coma Serrat
2023  Céleste Terrestre
2023  or, granite, gneiss, glace
2024  L’Effort, le monde
2024  Périls, péril
2024  Une petite heure dans les nuages, 2008
????  Conche à la Garenne n°1, Mille lumières en Marais Poitevin

Music:
1996  razer
1998  Corps Numériques
1998  Promenade
2002  Early Abstraction
2002  Esz
2002  Snsz
2002  XSZ
2003  Isz
2003  Uaoen
2007  Le soleil de Patiras
2007  Uishet
2007  White Altaïr
2008  Pauillac, Margaux
2009  A fleur d’eau…
2009  Passage
2009  Satyagraha
2010  Après le feu
2012  Chuva
2012  Impressions
2012  Libres
2012  Sassetot-le-Mauconduit
2013  Paris
2013  Santa Maria Madalena
2013  Vine journal n°2
2013  Árvore da Vida (Madeira)
2014  Colorama
2014  L
2014  Mistral, Ribièra
2014  Salomé
2014  Vine journal n°4
2015  Ettrick
2015  Hypersoleils
2015  M
2015  Vine journal n°12
2016  Blés, Agenvillers
2016  Buccleuch Church on the Kirk Burn
2016  Save My Heart from the World
2016  Vielle-Saint-Girons, Untitled #3, Recording #2
2017  Faust
2017  Japa n°1
2017  Japa n°2
2017  Japa n°3
2017  Le Quinte Alpi
2017  Patiras
2017  Twenty Nine Minutes at Sea
2018  Albâtre
2018  Japa n°4
2018  Or / Or (Hawick)
2018  Or / Our (Budapest)
2018  tenir l'horizon presque deux minutes par un froid raisonable
2019  Or / Aour (Vienna)
2020  Before the collapse of Mont Blanc
2020  Le Tempestaire
2020  MEG 2152 (Perspectives For the 22nd Century)
2020  Par ma fenêtre
2020  Printtemps
2020  Une Chanson d’anniversaire
2021  15000ft
2022  Salammbô
2022  Silesilence
2023  Blanc Mont Blanc
2023  Coma Serrat
2023  Céleste Terrestre
2023  or, granite, gneiss, glace
2024  L’Effort, le monde
2024  Périls, péril
2024  Une petite heure dans les nuages, 2008
????  Conche à la Garenne n°1, Mille lumières en Marais Poitevin

Producer:
1996  razer
1998  Corps Numériques
1998  Promenade
2002  Early Abstraction
2002  Esz
2002  Snsz
2002  XSZ
2003  Isz
2003  Uaoen
2007  Le soleil de Patiras
2007  Uishet
2007  White Altaïr
2008  Pauillac, Margaux
2009  A fleur d’eau…
2009  Passage
2009  Satyagraha
2010  Après le feu
2012  Chuva
2012  Impressions
2012  Libres
2012  Sassetot-le-Mauconduit
2013  Paris
2013  Santa Maria Madalena
2013  Vine journal n°2
2013  Árvore da Vida (Madeira)
2014  Colorama
2014  L
2014  Mistral, Ribièra
2014  Salomé
2014  Vine journal n°4
2015  Ettrick
2015  Hypersoleils
2015  M
2015  Vine journal n°12
2016  Blés, Agenvillers
2016  Buccleuch Church on the Kirk Burn
2016  Save My Heart from the World
2016  Vielle-Saint-Girons, Untitled #3, Recording #2
2017  Faust
2017  Japa n°1
2017  Japa n°2
2017  Japa n°3
2017  Le Quinte Alpi
2017  Patiras
2017  Twenty Nine Minutes at Sea
2018  Albâtre
2018  Japa n°4
2018  Or / Or (Hawick)
2018  Or / Our (Budapest)
2018  tenir l'horizon presque deux minutes par un froid raisonable
2019  Or / Aour (Vienna)
2020  Before the collapse of Mont Blanc
2020  Le Tempestaire
2020  MEG 2152 (Perspectives For the 22nd Century)
2020  Par ma fenêtre
2020  Printtemps
2020  Une Chanson d’anniversaire
2021  15000ft
2022  Salammbô
2022  Silesilence
2023  Blanc Mont Blanc
2023  Coma Serrat
2023  Céleste Terrestre
2023  or, granite, gneiss, glace
2024  L’Effort, le monde
2024  Périls, péril
2024  Une petite heure dans les nuages, 2008
????  Conche à la Garenne n°1, Mille lumières en Marais Poitevin

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.