A work in constant progress (and occasional regress).
Birthplace:
Leiria, Portugal
Born:
March 10, 1939
Died:
March 5, 2024
António-Pedro Saraiva de Barros e Vasconcelos (born 10 March 1939 in Leiria) was a Portuguese film director. He was a member of the Cinema Novo movement, which was heavily inspired by the Nouvelle Vague and Italian neorealism. Later his style derived to a more mainstream sensibility. Vasconcelos was famously a Benfica supporter.
Camera Operator:
1972 A Bee in the Rain
Director:
1969 27 Minutos com Fernando Lopes Graça
1972 A Bee in the Rain
1973 One Hundred Times Lost
1974 Adeus, Até ao Meu Regresso
1975 As Armas e o Povo
1976 Emigrantes... e Depois?
1981 Oxalá
1984 Dead Man's Seat
1992 Aqui D'El Rei!
1999 Jaime
2003 The Immortals
2007 Call Girl
2010 The Beauty and the Paparazzo
2014 Cats Don't Have Vertigo
2015 Impossible Love
2017 The Voice and Ears of MFA
2018 Parque Mayer
2022 Km 224
Editor:
1969 27 Minutos com Fernando Lopes Graça
1972 A Bee in the Rain
1973 One Hundred Times Lost
1974 Adeus, Até ao Meu Regresso
1975 As Armas e o Povo
1976 Emigrantes... e Depois?
1981 Oxalá
1984 Dead Man's Seat
1992 Aqui D'El Rei!
1999 Jaime
2003 The Immortals
2007 Call Girl
2010 The Beauty and the Paparazzo
2014 Cats Don't Have Vertigo
2015 Impossible Love
2017 The Voice and Ears of MFA
2018 Parque Mayer
2022 Km 224
Executive Producer:
1969 27 Minutos com Fernando Lopes Graça
1972 A Bee in the Rain
1973 One Hundred Times Lost
1974 Adeus, Até ao Meu Regresso
1975 As Armas e o Povo
1976 Emigrantes... e Depois?
1981 Francisca
1981 Oxalá
1982 The Conversation Is Over
1984 Dead Man's Seat
1992 Aqui D'El Rei!
1999 Jaime
2003 The Immortals
2007 Call Girl
2010 The Beauty and the Paparazzo
2014 Cats Don't Have Vertigo
2015 Impossible Love
2017 The Voice and Ears of MFA
2018 Parque Mayer
2022 Km 224
Producer:
1969 27 Minutos com Fernando Lopes Graça
1972 A Bee in the Rain
1973 One Hundred Times Lost
1974 Adeus, Até ao Meu Regresso
1975 As Armas e o Povo
1975 Benilde or the Virgin Mother
1976 Emigrantes... e Depois?
1979 Doomed Love
1981 Francisca
1981 Oxalá
1982 The Conversation Is Over
1984 Dead Man's Seat
1987 Serenity
1989 The Seventh Letter
1992 Aqui D'El Rei!
1999 Jaime
2003 The Immortals
2007 Call Girl
2010 The Beauty and the Paparazzo
2014 Cats Don't Have Vertigo
2015 Impossible Love
2017 The Voice and Ears of MFA
2018 Parque Mayer
2022 Km 224
Screenplay:
1969 27 Minutos com Fernando Lopes Graça
1972 A Bee in the Rain
1973 One Hundred Times Lost
1974 Adeus, Até ao Meu Regresso
1975 As Armas e o Povo
1975 Benilde or the Virgin Mother
1976 Emigrantes... e Depois?
1979 Doomed Love
1981 Francisca
1981 Oxalá
1982 The Conversation Is Over
1984 Dead Man's Seat
1987 Serenity
1989 The Seventh Letter
1992 Aqui D'El Rei!
1999 Jaime
2003 The Immortals
2007 Call Girl
2010 The Beauty and the Paparazzo
2014 Cats Don't Have Vertigo
2015 Impossible Love
2017 The Voice and Ears of MFA
2018 Parque Mayer
2022 Km 224
2025 Lavagante
Writer:
1969 27 Minutos com Fernando Lopes Graça
1972 A Bee in the Rain
1973 One Hundred Times Lost
1974 Adeus, Até ao Meu Regresso
1975 As Armas e o Povo
1975 Benilde or the Virgin Mother
1976 Emigrantes... e Depois?
1979 Doomed Love
1981 Francisca
1981 Oxalá
1982 The Conversation Is Over
1984 Dead Man's Seat
1987 Serenity
1988 Matar Saudades
1989 The Seventh Letter
1992 Aqui D'El Rei!
1999 Jaime
2003 The Immortals
2007 Call Girl
2010 The Beauty and the Paparazzo
2014 Cats Don't Have Vertigo
2015 Impossible Love
2017 The Voice and Ears of MFA
2018 Parque Mayer
2022 Km 224
2025 Lavagante
Creator:
2024 The Conspiracy
Director:
2024 The Conspiracy
Original Concept:
2021 História do Teatro de Revista em Portugal
2024 The Conspiracy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.