A work in constant progress (and occasional regress).
Alias:
Cheuk Ang-Tong
卓伯棠
Born in 1949 in Guangdong, China, Cheuk Pak-tong went to college in Taiwan, graduating with a Journalism degree from National Chengchi University. While there, he cofounded the film magazine Influence (also known later as Impact), an important publication in the development of film culture in Taiwan. Cheuk later studied film at University of Southern California, obtaining a Master of Fine Art degree, and at Hong Kong Baptist University, finishing with a Ph. D. degree. Returning to Hong Kong, Cheuk worked at TVB, directing drama serials such as the Mamasan, Mamasan series. He ventured into films in the early 1980s, becoming a member of the fabled New Wave with the films The Security (1981) and Mariana, Mariana (1983). Cheuk had been active in criticism and film study, writing for publications both popular and academic in Hong Kong and Taiwan and the author or editor of several books, including Hong Kong New Wave Cinema (1978-2000), English edition published by Intellect Ltd and the University of Chicago Press. He had also been active in promoting the Hong Kong film industry, including serving on the Service Committee of the Film Development Council and the Advisory Committee of the Trade Development Council.
Director:
1978 China Behind
1981 The Security
1982 Marianna
1988 The Last Vampire
1989 The Demonic Revenge
1989 The Last Bout
1989 The Mamasan
1990 The Mamasan II - Club Girls' Blues
1991 Fallen Angels
1991 危情共舞
2007 Hou Hsiao-Hsien Master Class
???? 熱浪迷情
Writer:
1978 China Behind
1981 The Security
1982 Marianna
1988 The Last Vampire
1989 The Demonic Revenge
1989 The Last Bout
1989 The Mamasan
1990 The Mamasan II - Club Girls' Blues
1991 Fallen Angels
1991 危情共舞
2007 Hou Hsiao-Hsien Master Class
???? 熱浪迷情
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.