A work in constant progress (and occasional regress).
Eric Barba is a visual effects supervisor for television, film, and commercial advertising. After studying at the Art Center College of Design, Barba began his career at Steven Spielberg's Amblin Imaging as a digital artist on SeaQuest 2032 and Sliders. In 1996, he joined Digital Domain as a digital artist on The Fifth Element before working his way to CG supervisor on Supernova and finally to visual effects supervisor for David Fincher's Zodiac. Barba earned a reputation for high-end visual effects, working closely with directors like Fincher and Joseph Kosinski on film and advertising projects and directing commercials for Nike, American Express, and Honda. He won the 81st Academy Awards for the film The Curious Case of Benjamin Button, in the Best Visual Effects category. He shared his Oscar with Craig Barron, Burt Dalton and Steve Preeg. In 2013, Barba was promoted to Chief Creative Office/Senior Visual Effects Supervisor at Digital Domain 3.0, the latest iteration of the visual effects studio. Barba continued to oversee the company's Los Angeles studio until leaving Digital Domain to operate as a freelance visual effects supervisor in 2015. Description above from the Wikipedia article Eric Barba, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Additional Visual Effects:
2023 The Killer
CG Supervisor:
2000 Supernova
2023 The Killer
Visual Effects Supervisor:
2000 Supernova
2007 Zodiac
2008 The Curious Case of Benjamin Button
2010 TRON: Legacy
2011 The Girl with the Dragon Tattoo
2013 Oblivion
2014 Gone Girl
2017 Only the Brave
2019 Terminator: Dark Fate
2023 The Killer
2024 Alien: Romulus
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.