A work in constant progress (and occasional regress).
Assistant Camera:
1962 Pedreira de São Diogo
Assistant Director:
1962 Cinco Vezes Favela
1962 Pedreira de São Diogo
Assistant Director of Photography:
1962 Cinco Vezes Favela
1962 Pedreira de São Diogo
1963 Porto das Caixas
Camera Operator:
1962 Cinco Vezes Favela
1962 Pedreira de São Diogo
1963 Porto das Caixas
1973 Itinerário de Niemeyer
1975 A Pedra da Riqueza
1980 Flamengo Paixão
1984 Twenty Years Later
1986 Brasília, Uma Sinfonia
1987 Terra Para Rose
1990 Conterrâneos Velhos de Guerra
Director of Photography:
1962 Cinco Vezes Favela
1962 Pedreira de São Diogo
1963 Ganga Zumba
1963 Porto das Caixas
1966 Amazonas, Amazonas
1966 Fábulas
1966 Maranhão 66
1966 The Big City
1968 Alcântara: Ghost Town
1968 Desesperato
1968 On Borrowed Time
1970 Brasília Ano 10
1970 Tostão - A Fera de Ouro
1973 Itinerário de Niemeyer
1973 O Espírito Criador do Povo Brasileiro
1975 A Pedra da Riqueza
1976 Soledade - A Bagaceira
1977 Fish in a Barrel
1977 Os Doces Bárbaros
1979 Carioca Suburbano Mulato Malandro
1980 Flamengo Paixão
1981 O Mundo Mágico dos Trapalhões
1982 Fire Light
1984 Twenty Years Later
1986 A Dança dos Bonecos
1986 Brasília, Uma Sinfonia
1987 O Bebê
1987 Terra Para Rose
1988 Mulheres: Uma Outra História
1990 Conterrâneos Velhos de Guerra
1991 Nosso Amigo Radamés Gnattali
1994 The Third Bank of the River
2003 Glauber Rocha - The Movie, Brazil's Labyrinth
2023 Elis & Tom: It Had to be You
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.