A work in constant progress (and occasional regress).
Alias:
Veliko Stoianov
Велико Стоянов
Birthplace:
Padina, Varna, Bulgaria
Born:
June 9, 1943
Veliko Stoianov is a worthy emissary of Bulgarian Cinema. His characters are from the Wild West and the Middle Ages, from the seaside and the mountains, from the time of the great Bulgarian Kings and from modern times. He has graduated from National Academy of Theatre and Film Art, Sofia, Bulgaria in 1973 and went to work at theatre. This was an excellent experience for the actor. After more than 30 roles in the theatre, since 1980 Veliko Stoianov has become entirely movie actor. He made his début in the cinema as early as he was a student. In 1970 the Italian film of Valentino Orsini 'The Lover Of the Great Bear', starring Julliano Jemma was shooted in Bulgaria. Veliko Stoianov was invited for the part of Bolko-fold. No doubt, the year 1978 was a great one in the artistic development of the actor, mostly because of his participation in Ivan Terziev,s TV serial 'The Hamlet', written by great Bulgarian poet Konstantin Pavlov. This work has not lost its unique importance in the history of Bulgarian TV films even nowadays. Its subject deals with the problem of Stalinist perversities in Bulgarian villages. The film was banned for 11 years and was warmly applauded at the first-night performance, which took place immediately after the fall of the communist regime in Bulgaria. Acted one of the major characters in the serial Veliko Stoianov succeeded to perform a complex, psychologically shaded role - eccentric, calling for sympathy and tragic at the same time. The actor has been appreciated not only for his impressive appearance, but also for his high professionalism. In the film 'The Father Of the Egg' you can see him at 30 meters under water and then at 300 meters in the air, over a helicopter, without the use of a stunt double.
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.