A work in constant progress (and occasional regress).
Birthplace:
Providence, Rhode Island, USA
Born:
May 1, 1984
Steven Levenson (born May 1984) is a Tony Award-winning playwright, screenwriter, and television writer and producer. His plays include If I Forget, Core Values, Seven Minutes In Heaven, and The Language of Trees. He wrote the book for the musical, Dear Evan Hansen, which won six Tony Awards, including Best Book and Best Musical, as well as the Olivier Award for Best New Musical. He co-created and executive produced the FX series Fosse/Verdon, which was nominated for seventeen Emmy Awards, including Best Limited Series and Best Writing for a Limited Series, as well as for Critics’ Choice Association and Producers Guild Awards, in addition to winning the Writers Guild Award and an AFI Award for Outstanding Series. Other honors include the OBIE Award, two Outer Critics Circle Awards, and the John Gassner Memorial Playwriting Award. He adapted Jonathan Larson’s tick, tick…boom!, directed by Lin-Manuel Miranda, for Netflix. He is a graduate of Brown University.
Additional Writing:
2025 Snow White
Executive Producer:
2021 Dear Evan Hansen
2021 tick, tick... BOOM!
2025 Snow White
Musical:
2021 Dear Evan Hansen
2021 tick, tick... BOOM!
2025 Snow White
Screenplay:
2021 Dear Evan Hansen
2021 tick, tick... BOOM!
2025 Snow White
???? Fiddler on the Roof
???? Golden
Writer:
2017 If I Forget
2021 Dear Evan Hansen
2021 tick, tick... BOOM!
2025 Dear Evan Hansen
2025 Dear Evan Hansen- The Musical: Cameri
2025 Snow White
???? Dear Evan Hansen Broadway
???? Fiddler on the Roof
???? Golden
Creator:
2019 Fosse/Verdon
2023 Up Here
Executive Producer:
2019 Fosse/Verdon
2023 Up Here
Teleplay:
2019 Fosse/Verdon
2023 Up Here
Writer:
2013 Masters of Sex
2019 Fosse/Verdon
2023 Up Here
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.