A work in constant progress (and occasional regress).
Alias:
Pål Ulvik
Pål Ulvik Rokseth is a Norwegian cinematographer.
Camera Operator:
2011 Headhunters
Director of Photography:
2011 Headhunters
2013 Å begrave en hund
2015 Polaroid
2015 Quiet on Set
2016 Back
2016 Late Summer
2017 The Hunger
2017 The Monkey and the Mouth
2018 22 July
2018 Virgins4lyfe
2019 Amundsen
2019 Polaroid
2020 Cramps
2021 The Burning Sea
2023 Munch
2024 Armand
2024 Handling the Undead
2024 Number 24
???? The Lost Bus
???? Ungene
First Assistant Camera:
2006 Cold Prey
2008 Cold Prey II
2011 Headhunters
2012 Into the White
2013 Å begrave en hund
2015 Polaroid
2015 Quiet on Set
2016 Back
2016 Late Summer
2017 The Hunger
2017 The Monkey and the Mouth
2018 22 July
2018 Virgins4lyfe
2019 Amundsen
2019 Polaroid
2020 Cramps
2021 The Burning Sea
2023 Munch
2024 Armand
2024 Handling the Undead
2024 Number 24
???? The Lost Bus
???? Ungene
Second Assistant Camera:
2006 Cold Prey
2008 Cold Prey II
2011 Headhunters
2011 Sons of Norway
2012 Into the White
2013 Å begrave en hund
2015 Polaroid
2015 Quiet on Set
2016 Back
2016 Late Summer
2017 The Hunger
2017 The Monkey and the Mouth
2018 22 July
2018 Virgins4lyfe
2019 Amundsen
2019 Polaroid
2020 Cramps
2021 The Burning Sea
2023 Munch
2024 Armand
2024 Handling the Undead
2024 Number 24
???? The Lost Bus
???? Ungene
Camera Operator:
2016 Nobel
Director of Photography:
2015 The Saboteurs
2016 Nobel
2023 The Continental: From the World of John Wick
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.