A work in constant progress (and occasional regress).
Andrew Kim is a filmmaker based in Los Angeles. His films have screened at a variety of festivals in Ann Arbor, Rotterdam, Toronto, and Buenos Aires, as well as in venues such as UnionDocs, New York and Los Angeles Filmforum. He teaches filmmaking at the California Institute of the Arts and helps manage the Echo Park Film Center, a non-profit media arts center.
Art Direction:
2016 Trust No One
Director:
2011 Colon, Michigan
2012 Some Unseen Lights
2012 Standards of Perfection
2013 On the Feasibility of Light Amplification
2013 Will o' the Wisp
2015 Society of Motion
2015 The Peacock
2016 (I)FRAME
2016 Trust No One
2017 Hour of Pearl
2022 Instant Life
Editor:
2011 Colon, Michigan
2012 Some Unseen Lights
2012 Standards of Perfection
2013 On the Feasibility of Light Amplification
2013 Will o' the Wisp
2014 The Tony Longo Trilogy
2015 Society of Motion
2015 The Peacock
2016 (I)FRAME
2016 A Train Arrives at the Station
2016 Trust No One
2017 Hour of Pearl
2022 Instant Life
Sound:
2011 Colon, Michigan
2012 Some Unseen Lights
2012 Standards of Perfection
2013 On the Feasibility of Light Amplification
2013 Will o' the Wisp
2014 The Tony Longo Trilogy
2015 Society of Motion
2015 The Peacock
2016 (I)FRAME
2016 A Train Arrives at the Station
2016 Trust No One
2017 Hour of Pearl
2020 Earth Had Issues Loading...
2022 Instant Life
2022 Vision of Paradise
2022 shadow swells
2024 The Instability of Clouds
2024 When We Encounter the World
Sound Designer:
2011 Colon, Michigan
2012 Some Unseen Lights
2012 Standards of Perfection
2013 On the Feasibility of Light Amplification
2013 Will o' the Wisp
2014 The Tony Longo Trilogy
2015 Society of Motion
2015 The Peacock
2016 (I)FRAME
2016 A Train Arrives at the Station
2016 Trust No One
2017 Hour of Pearl
2020 Earth Had Issues Loading...
2022 Instant Life
2022 Vision of Paradise
2022 shadow swells
2024 The Instability of Clouds
2024 When We Encounter the World
Writer:
2011 Colon, Michigan
2012 Some Unseen Lights
2012 Standards of Perfection
2013 On the Feasibility of Light Amplification
2013 Will o' the Wisp
2014 The Tony Longo Trilogy
2015 Society of Motion
2015 The Peacock
2016 (I)FRAME
2016 A Train Arrives at the Station
2016 Trust No One
2017 Hour of Pearl
2020 Earth Had Issues Loading...
2021 If a Tree Falls in a Forest
2022 Instant Life
2022 Vision of Paradise
2022 shadow swells
2024 The Instability of Clouds
2024 When We Encounter the World
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.