A work in constant progress (and occasional regress).
Alias:
Domink Schleier
Born:
April 9, 1971
ADR Recordist:
2004 The Bourne Supremacy
Dialogue Editor:
2004 The Bourne Supremacy
2005 A Sound of Thunder
2007 WΔZ
2008 A Woman in Berlin
2008 The Children
2009 Faintheart
2011 Wake Wood
2016 The Girl with All the Gifts
2024 Maria
2025 The Vanishing
Music Editor:
2004 The Bourne Supremacy
2005 A Sound of Thunder
2007 WΔZ
2008 A Woman in Berlin
2008 The Children
2009 Faintheart
2011 Wake Wood
2016 The Girl with All the Gifts
2024 Maria
2025 The Vanishing
Sound:
1982 The Road
2004 The Bourne Supremacy
2005 A Sound of Thunder
2007 WΔZ
2008 A Woman in Berlin
2008 The Children
2009 Faintheart
2011 Wake Wood
2016 The Girl with All the Gifts
2024 Maria
2025 The Vanishing
Sound Designer:
1982 The Road
2004 The Bourne Supremacy
2005 A Sound of Thunder
2007 WΔZ
2008 A Woman in Berlin
2008 The Children
2009 Faintheart
2011 Wake Wood
2012 Barbara
2012 Gerhard Richter Painting
2014 Phoenix
2016 The Girl with All the Gifts
2018 Transit
2020 Undine
2023 Afire
2024 Maria
2025 The Vanishing
Sound Director:
1982 The Road
2004 The Bourne Supremacy
2005 A Sound of Thunder
2007 WΔZ
2008 A Woman in Berlin
2008 The Children
2009 Faintheart
2011 Wake Wood
2012 Barbara
2012 Gerhard Richter Painting
2014 Phoenix
2016 The Girl with All the Gifts
2018 Transit
2019 Winter Journey
2020 Undine
2023 Afire
2024 Maria
2025 The Vanishing
Supervising Sound Editor:
1982 The Road
2004 The Bourne Supremacy
2005 A Sound of Thunder
2007 WΔZ
2008 A Woman in Berlin
2008 The Children
2009 Bronson
2009 Faintheart
2010 22nd Of May
2011 Wake Wood
2012 Barbara
2012 Gerhard Richter Painting
2014 Phoenix
2016 The Girl with All the Gifts
2018 Transit
2019 Winter Journey
2020 Undine
2023 Afire
2024 Maria
2025 The Vanishing
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.