A work in constant progress (and occasional regress).
Birthplace:
Nashville, Tennessee, USA
Born:
December 20, 1965
Drew Moore was born in Nashville, Tennessee on December 20, 1965. He comes from a family of three generations of ministers in the Christian Church (Disciples of Christ). He started taking acting classes when he was 12 years old and was soon performing in professional theater, TV and commercials throughout the region. Right after college in the summer of 1988, Drew teamed up with high school friends to stage the inaugural production of Nashville Shakespeare Festival, starring as Orlando in "As You Like It.” Drew’s early acting training included Nashville Academy Theater and The Acting Studio, Northwestern University, and British-American Drama Academy in London. In his late 20s, Drew took a long hiatus from acting. He earned his Ph.D. in Comparative Literature at the City University of New York and taught English and Classics at West Point and Brooklyn College. Since returning to acting in 2013, he has appeared on a number of TV shows. He recurs as CIA Director Byron Gedney on Season 2 of Netflix's "The Night Agent." Other TV shows include “American Horror Stories,” “Law & Order: Organized Crime," "Law & Order," "Godfather of Harlem," "Zero Day," "Elsbeth," "Étoile," "White House Plumbers," "FBI: Most Wanted," and "Power Book III: Raising Kanan." His films include “The Shed," “Signs of Love,” “Catching Up," and “I Think I'm Sick.”
Director:
2019 They Look Like Trees
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.