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Todd Beckett

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Film Production

Additional Sound Re-Recordist:
2001  Get Over It

Foley Recordist:
1996  Hard Eight
2000  From Dusk Till Dawn 3: The Hangman's Daughter
2001  Get Over It

Sound Effects Editor:
1996  Hard Eight
2000  From Dusk Till Dawn 3: The Hangman's Daughter
2001  Get Over It
2005  Urban Legends: Bloody Mary
2008  Solstice

Sound Mixer:
1996  Hard Eight
2000  From Dusk Till Dawn 3: The Hangman's Daughter
2000  Spirits of Havana
2001  Get Over It
2005  Urban Legends: Bloody Mary
2008  Solstice

Sound Re-Recording Mixer:
1996  Hard Eight
1998  Bad As I Wanna Be: The Dennis Rodman Story
1999  Dogmatic
1999  The Suburbans
2000  Dungeons & Dragons
2000  From Dusk Till Dawn 3: The Hangman's Daughter
2000  Spirits of Havana
2001  Get Over It
2002  Gerry
2003  All the Real Girls
2003  Dracula II: Ascension
2003  Wrong Turn
2004  Resident Evil: Apocalypse
2005  Dracula III: Legacy
2005  Urban Legends: Bloody Mary
2006  DOA: Dead or Alive
2006  Lucky Number Slevin
2006  Silent Hill
2006  The Black Dahlia
2006  The Wild
2007  Catacombs
2007  Redacted
2008  Bangkok Dangerous
2008  Pig Hunt
2008  Solstice
2009  The Road
2010  Mother's Day
2012  Blue Lagoon: The Awakening
2012  Blue-Eyed Butcher
2021  The Tender Bar
2023  The Boys in the Boat

Click the heading above to show or hide the list.

TV Production

Sound Re-Recording Mixer:
2012  The Client List
2013  The Blacklist
2018  Titans
2019  Catch-22
2022  The Woman in the House Across the Street from the Girl in the Window

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.