A work in constant progress (and occasional regress).
Birthplace:
Nez Perce - Idaho - USA
Born:
October 7, 1901
Died:
April 6, 1982
American leading man of silent Westerns whose career was much overshadowed by that of his more famous brother Jack Hoxie. He grew up in the backwoods and mountains of Idaho. His older brother had become a champion rodeo rider, a talent he parlayed into early success in cowboy movies. Following in his brother's footsteps, Al Hoxie moved to Los Angeles, not yet twenty years old. His brother Jack soon got him work as a stuntman and wrangler, and Al doubled for his brother and other actors in numerous films of the early 1920s. He began to get bit parts, and then bigger roles, in his brother's films and then on his own. A Poverty Row studio called Anchor Films saw potential in the strapping cowboy with the famous (last) name. They signed him to play the lead in a series of Westerns, which then led to a new series contract with producer Bud Barsky. None of these pictures ventured far beyond mediocre, and with the coming of sound in the late 1920s, Hoxie, with no great following, quit the business. He returned to his Northwest roots for several years, then returned to Los Angeles, this time to work as a conductor on the Red Line streetcars. For a few years he was a forest ranger, then went into law enforcement, first for the Anaheim, California, police department, and then for the Patton State Hospital. While there, Hoxie regained some public attention by disarming a deranged man with hostages. He was presented California's highest award for bravery, the California Medal of Honor. He retired thereafter and spent his remaining years in Redlands, California, where he died in 1982, seventeen years after the death of his more famous older brother.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.