A work in constant progress (and occasional regress).
Sara joined the Children’s Film Unit when she was 15, learning to work with 16mm. She studied at Bournemouth film school and then worked as a clapper loader for 5 years on films like “United 93” and “My Summer of Love”. She then studied Cinematography at the National Film and Television school. Since graduating in 2009 she’s shot features, commercials, documentaries and TV Drama. Her work has screened in festivals such as Edinburgh, Fantastic Fest, Sitges, Berlin, Locarno, Fantasia and London to name a few. Winning Best Cinematography at the V'an Dor Independent film awards 2012. Her work has been nominated for Best Cinematography at Milan Fashion Film Festival, Underwire and Galway film festival. Sara holds an O1 Visa, EU and NZ passports.
Camera Operator:
2013 Captain Phillips
Cinematography:
2013 Captain Phillips
2018 Viking Destiny
2019 After Louise
Clapper Loader:
2003 This Little Life
2005 Planespotting
2013 Captain Phillips
2018 Viking Destiny
2019 After Louise
Director of Photography:
2003 This Little Life
2005 Planespotting
2013 Captain Phillips
2014 Cryptic
2014 The Beat Beneath My Feet
2018 2:Hrs
2018 Anna and the Apocalypse
2018 Early Days
2018 Genesis
2018 Viking Destiny
2019 After Louise
2021 Miss Fortunate
2023 Nandor Fodor and the Talking Mongoose
2024 5lbs of Pressure
???? The Tower
Second Assistant Camera:
2003 This Little Life
2005 Planespotting
2006 United 93
2013 Captain Phillips
2014 Cryptic
2014 The Beat Beneath My Feet
2018 2:Hrs
2018 Anna and the Apocalypse
2018 Early Days
2018 Genesis
2018 Viking Destiny
2019 After Louise
2021 Miss Fortunate
2023 Nandor Fodor and the Talking Mongoose
2024 5lbs of Pressure
???? The Tower
Additional Photography:
2020 Alex Rider
Director of Photography:
2020 Alex Rider
2021 Whitstable Pearl
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.