A work in constant progress (and occasional regress).
Christopher Townsend is a visual effects supervisor. He has worked in the visual effects industry for nearly 30 years. For over a decade, he was an artist and supervisor at Industrial Light and Magic, and in 2007 he became a freelance visual effects supervisor. He worked on Journey to the Centre of the Earth, the first ever stereoscopic motion picture shot and released digitally, The Wolverine, Ninja Assassin, Percy Jackson & the Olympians: The Lightning Thief, and Captain America: The First Avenger. He was nominated for a BAFTA and an Academy Award for Best Visual Effects for his work on Iron Man 3, oversaw nearly 3000 shots on Avengers: Age of Ultron, and was the overall supervisor for Guardians of the Galaxy Vol. 2, for which he received his second nomination for an Academy Award for Best Visual Effects. He was the overall Production VFX Supervisor on Captain Marvel, and following that, for his work on Shang-Chi and the Legend of the Ten Rings, he was once again nominated for an Academy Award for Best Visual Effects. For his first foray into television and streaming, in 2024 he was nominated for an Emmy for his overall VFX supervision on the second season of the Disney+ show Loki. In 2015, he was given an Honorary Doctor of Arts degree by his alma mater, Coventry University.
CG Artist:
1995 Congo
CG Supervisor:
1995 Congo
2003 Hulk
2004 The Day After Tomorrow
Digital Supervisor:
1995 Congo
2003 Hulk
2004 The Day After Tomorrow
2005 The Island
Visual Effects Supervisor:
1995 Congo
2003 Hulk
2004 The Day After Tomorrow
2005 The Island
2008 Journey to the Center of the Earth
2009 Ninja Assassin
2009 X-Men Origins: Wolverine
2010 Percy Jackson & the Olympians: The Lightning Thief
2011 Captain America: The First Avenger
2013 Iron Man 3
2015 Avengers: Age of Ultron
2017 Guardians of the Galaxy Vol. 2
2019 Captain Marvel
2021 Shang-Chi and the Legend of the Ten Rings
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.