A work in constant progress (and occasional regress).
Alias:
Kanaiya Lal
Kanhaiyalal
Lala
Munim
Sukhilala
Birthplace:
Varanasi, Uttar Pradesh, India
Born:
January 1, 1910
Died:
August 14, 1982
Kanhaiyalal was born in Varanasi into a theatrical family. His father, Pandit Bhairodutt Choube, owned a drama company but disapproved of his son’s interest in acting. Undeterred, Kanhaiyalal began working backstage and gradually transitioned into small stage roles. After his father's death, he moved to Bombay to pursue a career in cinema—initially aspiring to become a writer and director. However, fate had other plans, and he made his screen debut as an extra in Sagar Ka Sher. He rose to national and international fame for his iconic portrayal of the scheming moneylender Sukhilala in Mehboob Khan’s Mother India (1957), one of Indian cinema’s most legendary villains. He had originally played the same role in Aurat (1940), making him the first Indian actor to reprise a character in a remake 17 years later. Mother India also earned the distinction of being India’s first official entry to the Academy Awards (Oscars) for Best International Feature Film—cementing Kanhaiyalal’s performance in global film history. Known for his mastery of negative and elderly roles, Kanhaiyalal acted in over 100 films including Ganga Jamuna, Upkar, Apna Desh, Dushman, and Grahasti. He also wrote dialogues and lyrics for films like Sadhana. His cinematic legacy lives on through the 2022 documentary Naam Tha Kanhaiyalal, produced by his daughter Hemaa Singh. TMDB mini biography by: Ashvin Borad
Production Manager:
1969 Doli
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.