A work in constant progress (and occasional regress).
Kostas is Head of Production at Faliro House since 2012. He was born in Athens in 1968 and studied physics in Athens and film in Athens and Stockholm. He has more than 25 years of experience as a Line Producer and has been involved in more than 30 productions. His credits include THE WEAPING MEADOW by T. Angelopoulos, BRIDES by P. Voulgaris, ATTENBERG by A. Tsangari, THE LOBSTER by Y. Lanthimos, BEFORE MIDNIGHT by R. Linklater. He was part of the production team of the Opening and Closing Ceremonies of the Athens 2004 Summer Olympic Games. Kostas has also been lecturing Film Production at the School of Film of the Aristotle University of Thessaloniki since 2009.
Associate Producer:
2010 Attenberg
Line Producer:
2004 The Weeping Meadow
2010 Attenberg
2011 Alps
2013 Before Midnight
Location Manager:
2002 The Bourne Identity
2004 The Weeping Meadow
2010 Attenberg
2011 Alps
2013 Before Midnight
Producer:
2002 The Bourne Identity
2004 The Weeping Meadow
2010 Attenberg
2011 Alps
2013 Before Midnight
2013 The Benaki Museum
2014 Forever
2018 Women Who Passed My Way
2020 Defunct
2022 Happy Ending
Production Manager:
2002 The Bourne Identity
2004 Eyes of Night
2004 The Weeping Meadow
2006 Uranya
2008 Correction
2010 Attenberg
2010 Wog Boy 2: The Kings of Mykonos
2011 Alps
2013 Before Midnight
2013 The Benaki Museum
2014 Forever
2018 Women Who Passed My Way
2020 Defunct
2022 Happy Ending
Second Unit Location Manager:
2002 The Bourne Identity
2004 Che ne sarĂ di noi
2004 Eyes of Night
2004 The Weeping Meadow
2006 Uranya
2008 Correction
2010 Attenberg
2010 Wog Boy 2: The Kings of Mykonos
2011 Alps
2013 Before Midnight
2013 The Benaki Museum
2014 Forever
2018 Women Who Passed My Way
2020 Defunct
2022 Happy Ending
Line Producer:
2005 BelĂssima
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.