A work in constant progress (and occasional regress).
Alias:
Stelios Koupetorios
ADR Editor:
2017 The Time of Their Lives
Boom Operator:
2008 Boobheads
2017 The Time of Their Lives
Co-Producer:
2008 Boobheads
2010 1,2 Million Children
2017 The Time of Their Lives
Dialogue Editor:
2008 Boobheads
2010 1,2 Million Children
2014 Plastic
2014 The Anomaly
2014 The Guvnors
2016 House of Flying Arrows
2016 Under the Shadow
2017 The Time of Their Lives
2018 Tango One
2018 VS.
2020 Looted
Director:
2008 Boobheads
2010 1,2 Million Children
2014 Plastic
2014 The Anomaly
2014 The Guvnors
2016 House of Flying Arrows
2016 Under the Shadow
2017 The Time of Their Lives
2018 Tango One
2018 VS.
2019 W
2020 Looted
Editor:
2008 Boobheads
2010 1,2 Million Children
2014 Plastic
2014 The Anomaly
2014 The Guvnors
2016 House of Flying Arrows
2016 Under the Shadow
2017 The Time of Their Lives
2018 Tango One
2018 VS.
2019 Land
2019 W
2020 Looted
Music:
2008 Boobheads
2010 1,2 Million Children
2014 Plastic
2014 The Anomaly
2014 The Guvnors
2016 House of Flying Arrows
2016 Under the Shadow
2017 The Time of Their Lives
2018 Tango One
2018 VS.
2019 Land
2019 W
2020 Looted
Sound Designer:
2008 Boobheads
2010 1,2 Million Children
2014 Plastic
2014 The Anomaly
2014 The Guvnors
2016 House of Flying Arrows
2016 Under the Shadow
2017 The Time of Their Lives
2018 Tango One
2018 VS.
2019 Birds with no legs
2019 Land
2019 W
2020 Looted
2021 First Swim
2021 Girlhood
2022 Tzitzipongo
2024 Gekas
Sound Editor:
2008 Boobheads
2010 1,2 Million Children
2010 R.F. - (Short 2010)
2013 Harrigan
2014 Plastic
2014 The Anomaly
2014 The Guvnors
2016 House of Flying Arrows
2016 Under the Shadow
2017 The Time of Their Lives
2018 Tango One
2018 VS.
2019 Birds with no legs
2019 Land
2019 W
2020 Looted
2021 First Swim
2021 Girlhood
2022 Tzitzipongo
2024 Gekas
Sound Mixer:
2008 Boobheads
2010 1,2 Million Children
2010 R.F. - (Short 2010)
2013 Harrigan
2014 Plastic
2014 The Anomaly
2014 The Guvnors
2016 House of Flying Arrows
2016 Under the Shadow
2017 The Time of Their Lives
2018 Tango One
2018 VS.
2019 Birds with no legs
2019 Land
2019 W
2020 Looted
2021 After Noon
2021 Beauty
2021 First Swim
2021 Girlhood
2022 5pm Seaside
2022 Cat Postale
2022 To Read Them Poems
2022 Tzitzipongo
2023 Memories of an Empty House
2024 Gekas
Sound Recordist:
2008 Boobheads
2010 1,2 Million Children
2010 R.F. - (Short 2010)
2011 Handset Type
2013 Harrigan
2014 Plastic
2014 The Anomaly
2014 The Guvnors
2016 House of Flying Arrows
2016 Under the Shadow
2017 The Time of Their Lives
2018 Tango One
2018 VS.
2019 Birds with no legs
2019 Land
2019 W
2020 Looted
2021 After Noon
2021 Beauty
2021 First Swim
2021 Girlhood
2022 5pm Seaside
2022 Cat Postale
2022 To Read Them Poems
2022 Tzitzipongo
2023 Memories of an Empty House
2024 Gekas
Writer:
2008 Boobheads
2010 1,2 Million Children
2010 R.F. - (Short 2010)
2011 Handset Type
2013 Harrigan
2014 Plastic
2014 The Anomaly
2014 The Guvnors
2016 House of Flying Arrows
2016 Under the Shadow
2017 The Time of Their Lives
2018 Tango One
2018 VS.
2019 Birds with no legs
2019 Land
2019 W
2020 Looted
2021 After Noon
2021 Beauty
2021 First Swim
2021 Girlhood
2022 5pm Seaside
2022 Cat Postale
2022 To Read Them Poems
2022 Tzitzipongo
2023 Memories of an Empty House
2024 Gekas
Dialogue Editor:
2018 Killing Eve
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.