A work in constant progress (and occasional regress).
Alias:
John Stuart
Birthplace:
Oxfordshire, England, UK
Born:
May 2, 1920
Died:
June 6, 2011
John Boswall (2 May 1920 – 6 June 2011) was a British actor known for playing Emmanuel Goldstein in 1984 and Wyvern in Pirates of the Caribbean: Dead Man's Chest. Boswall was born John Stuart on 2 May 1920 in Oxfordshire, England. Prior to his career as an actor, he attended the University of Oxford and served in Burma during World War II. Boswall's television appearances included Paul Temple (1971), Wessex Tales (1973), Lady Killer (1973), Edward the Seventh (1975), The Onedin Line (1976), Love in a Cold Climate (1980), The Hound of the Baskervilles (1982), Sapphire & Steel (1982), No Place Like Home (1986), EastEnders (1990, 2002), Selling Hitler (1991), Agatha Christie's Poirot (1991), Drop the Dead Donkey (1993), Lovejoy (1993), Poldark (1996), Doctors (2000), Rome (2005) and Terry Pratchett's Hogfather (2006). Stage appearances included Edward Bond's The Fool at the Royal Court Theatre (1975),[2] Sweeney Todd at the Little Theatre, Bristol (1978–79); Oh, What A Lovely War!, A Midsummer Night's Dream (1979–80), and Kiss Me, Kate (1980–81) at the Bristol Old Vic; Henry IV, Part I (1984–85) at the Theatre Royal, Bath; Doctor Faustus (1974), Cymbeline (1974) and Camille (1985–86) with the Royal Shakespeare Company;[3] and Moliere's Bourgeois gentilhomme (1992) at the Royal National Theatre. His films included Nineteen Eighty-Four as Emmanuel Goldstein (1984), Three Men and a Little Lady (1990), The Wind in the Willows (1996), The Messenger: The Story of Joan of Arc (1999), Hotel Splendide (2000), Ladies in Lavender (2004), Pirates of the Caribbean: Dead Man's Chest (2006) and Morris: A Life with Bells On (2009).
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.