A work in constant progress (and occasional regress).
Nigel Sumner is the Creative Director of ILM's Singapore & Sydney Studios, overseeing the company's artistic efforts and helping guide the trajectory of ILM's global strategy. He joined Industrial Light & Magic in 1999 as a Technical Director for the commercials division and, in 2000, transferred to the company's feature film division. In 2007, Sumner moved to Singapore to lead a global team of digital artists, spearheading a collaborative effort with ILM's American counterparts on numerous feature film and commercial productions. ILM Singapore projects include Transformers: Dark of the Moon, Marvel's The Avengers, and Guillermo Del Toro's 2013 science fiction epic, Pacific Rim, for which Sumner received a BAFTA nomination and the HPA Award for Outstanding Visual Effects. He was also nominated for a BAFTA Special Visual Effects Award and a Visual Effects Society Award for contributing to the 2016 smash hit Rogue One: A Star Wars Story. Sumner holds a master's degree in Computer Animation from Bournemouth University, located in Dorset, England, where he taught animation techniques, software, and programming languages. Information above via their Industrial Light & Magic Official Site Bio.
CG Supervisor:
2009 Star Trek
Sequence Supervisor:
2004 Van Helsing
2009 Star Trek
VFX Supervisor:
2004 Van Helsing
2009 Star Trek
2018 Solo: A Star Wars Story
Visual Effects Supervisor:
2004 Van Helsing
2009 Star Trek
2012 The Avengers
2013 Pacific Rim
2015 Strange Magic
2016 Rogue One: A Star Wars Story
2018 Solo: A Star Wars Story
2019 Star Wars: The Rise of Skywalker
2025 Avatar: Fire and Ash
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.