A work in constant progress (and occasional regress).
Associate Producer:
2013 Insidious: Chapter 2
2014 Mercy
2014 Ouija
2014 Stretch
2014 The Purge: Anarchy
2014 Whiplash
2015 The Boy Next Door
2016 The Darkness
2021 Copshop
2021 The Marksman
Co-Producer:
2013 Insidious: Chapter 2
2014 Mercy
2014 Ouija
2014 Stretch
2014 The Purge: Anarchy
2014 Whiplash
2015 Insidious: Chapter 3
2015 Jem and the Holograms
2015 Sinister 2
2015 The Boy Next Door
2015 The Gift
2016 The Darkness
2016 The Purge: Election Year
2017 Amityville: The Awakening
2017 Get Out
2017 Happy Death Day
2017 Stephanie
2018 Insidious: The Last Key
2018 The First Purge
2018 Upgrade
2019 Don't Let Go
2019 Ma
2019 Prey
2021 Copshop
2021 The Marksman
Executive In Charge Of Post Production:
2013 Insidious: Chapter 2
2014 Mercy
2014 Ouija
2014 Stretch
2014 The Purge: Anarchy
2014 Whiplash
2015 Insidious: Chapter 3
2015 Jem and the Holograms
2015 Sinister 2
2015 The Boy Next Door
2015 The Gift
2016 The Darkness
2016 The Purge: Election Year
2017 Amityville: The Awakening
2017 Get Out
2017 Happy Death Day
2017 Split
2017 Stephanie
2018 Insidious: The Last Key
2018 The First Purge
2018 Upgrade
2019 Don't Let Go
2019 Ma
2019 Prey
2021 Copshop
2021 The Marksman
Executive Producer:
2013 Insidious: Chapter 2
2014 Mercy
2014 Ouija
2014 Stretch
2014 The Purge: Anarchy
2014 Whiplash
2015 Curve
2015 Insidious: Chapter 3
2015 Jem and the Holograms
2015 Sinister 2
2015 The Boy Next Door
2015 The Gift
2016 The Darkness
2016 The Purge: Election Year
2017 Amityville: The Awakening
2017 Get Out
2017 Happy Death Day
2017 Split
2017 Stephanie
2018 Insidious: The Last Key
2018 The First Purge
2018 Upgrade
2019 Don't Let Go
2019 Ma
2019 Prey
2021 Copshop
2021 The Marksman
Post Producer:
2013 Insidious: Chapter 2
2014 Mercy
2014 Ouija
2014 Stretch
2014 The Purge: Anarchy
2014 Unfriended
2014 Whiplash
2015 Curve
2015 Insidious: Chapter 3
2015 Jem and the Holograms
2015 Sinister 2
2015 The Boy Next Door
2015 The Gift
2016 The Darkness
2016 The Purge: Election Year
2017 Amityville: The Awakening
2017 Get Out
2017 Happy Death Day
2017 Split
2017 Stephanie
2018 Insidious: The Last Key
2018 The First Purge
2018 Upgrade
2019 Don't Let Go
2019 Ma
2019 Prey
2021 Copshop
2021 The Marksman
Post Production Assistant:
2013 Insidious: Chapter 2
2014 Mercy
2014 Ouija
2014 Stretch
2014 The Purge: Anarchy
2014 Unfriended
2014 Whiplash
2015 Curve
2015 Insidious: Chapter 3
2015 Jem and the Holograms
2015 Sinister 2
2015 The Boy Next Door
2015 The Gift
2015 The Visit
2016 The Darkness
2016 The Purge: Election Year
2017 Amityville: The Awakening
2017 Get Out
2017 Happy Death Day
2017 Split
2017 Stephanie
2018 Insidious: The Last Key
2018 The First Purge
2018 Upgrade
2019 Don't Let Go
2019 Ma
2019 Prey
2021 Copshop
2021 The Marksman
Post Production Coordinator:
2006 Mission: Impossible III
2013 Insidious: Chapter 2
2014 Mercy
2014 Ouija
2014 Stretch
2014 The Purge: Anarchy
2014 Unfriended
2014 Whiplash
2015 Curve
2015 Insidious: Chapter 3
2015 Jem and the Holograms
2015 Sinister 2
2015 The Boy Next Door
2015 The Gift
2015 The Visit
2016 The Darkness
2016 The Purge: Election Year
2017 Amityville: The Awakening
2017 Get Out
2017 Happy Death Day
2017 Split
2017 Stephanie
2018 Insidious: The Last Key
2018 The First Purge
2018 Upgrade
2019 Don't Let Go
2019 Ma
2019 Prey
2021 Copshop
2021 The Marksman
Co-Producer:
2017 The Bold Type
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.