A work in constant progress (and occasional regress).
Birthplace:
USA
Born:
December 5, 1969
Eric Saindon (born December 5, 1970) is an American visual effects supervisor for movies, including Avatar: The Way of Water, The Green Knight, Pete's Dragon, The Hobbit trilogy (2012–2014), Avatar, Alita: Battle Angel, Night at the Museum, and X-Men: The Last Stand, and has worked on others such as King Kong, I, Robot, The Lord of the Rings: The Return of the King, The Lord of the Rings: The Two Towers, and The Lord of the Rings: The Fellowship of the Ring. Over 10 Academy Awards have been given to movies he has been a part of, with 3 Oscar and BAFTA nominations himself. He lives in Wellington, New Zealand. Description above from the Wikipedia article Eric Saindon, licensed under CC-BY-SA, full list of contributors on Wikipedia.
CG Artist:
2000 Supernova
Modeling:
1998 Star Trek: Insurrection
2000 Supernova
Visual Effects Supervisor:
1998 Star Trek: Insurrection
2000 Supernova
2009 Avatar
2012 The Hobbit: An Unexpected Journey
2013 The Hobbit: The Desolation of Smaug
2014 The Hobbit: The Battle of the Five Armies
2016 Pete's Dragon
2019 Alita: Battle Angel
2021 The Green Knight
2022 Avatar: The Way of Water
2023 Peter Pan & Wendy
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.