Ivan Askwith

Askwith has been named one of Fast Company’s “100 Most Creative People in Business,” and has been described by Wired as “the secret weapon” behind the biggest entertainment crowdfunding successes of the last several years, including the record-breaking campaigns for Veronica Mars, Reading Rainbow, Super Troopers 2, Mystery Science Theater 3000 and The Aquabats. Along with Kristen Bell, Askwith is also one of the Executive Producers for the upcoming animated pre-school series Do, Re & Mi (Amazon Studios + Gaumont Animation), which aims to help young listeners develop a lifelong passion for music, and the cognitive benefits that come with it.  Previously, Askwith led the Digital Media division of Lucasfilm, providing creative and strategic oversight for a range of online, social and cross-platform initiatives supporting Star Wars. Before that, he spent several years as the first Director of Strategy at Big Spaceship, an award-winning digital agency in Brooklyn, NY, where he led projects for clients including Google, GE, Sony Pictures and NBC Universal. In addition, he was a founding member of MIT's Convergence Culture Consortium (C3), where he worked with Dr. Henry Jenkins to develop a new model for understanding fan behaviors and motives when engaging with popular culture. He writes frequently on fan behavior and franchise development, and appears as a frequent speaker at festivals and conferences worldwide.  He's perpetually curious about the space where human behavior, fan engagement, motivational psychology, behavioral economics, social interactions, popular culture, entertainment and digital platforms meet.

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Associate Producer:
2014  Veronica Mars

Executive Producer:
2014  Veronica Mars
2020  The Aquabats! Kooky Spooky Halloween Party

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.