A work in constant progress (and occasional regress).
Alias:
Ken'ya Miki
Miki Ken'ya
Miki Kenya
三鬼 健也
Kenya Miki is a Japanese motion / facial capture specialist and technical director at Toei Zukun Laboratory. He offers the most efficient filming method and delivery status depending on the work’s detail, aiming quality, budget, and production term. Not only does he remove the character, but he applies CG technology to actual filming VFX and develops technology that is wanted and that can be used at the frontline of the scenes. He aims to construct a filming environment that matches the customer’s demands. He is an animation creator, so he knows the actual work process. But he also eagerly challenges new things such as the usage of game engines, virtual cameras, head-mounted camera development, etc.
Motion Capture Artist:
2015 The Empire of Corpses
2022 Backflip!! The Movie
Technical Supervisor:
2015 The Empire of Corpses
2017 Genocidal Organ
2019 Love Live! Sunshine!! The School Idol Movie: Over the Rainbow
2022 Backflip!! The Movie
Motion Capture Artist:
2021 Backflip!!
2022 Fuuto PI
2024 Girls Band Cry
Technical Supervisor:
2019 Kishiryu Sentai Ryusoulger
2020 Kotodama Shoujo the Animation: Microphone Soul Spinners
2021 Backflip!!
2022 Chainsaw Man
2022 Fuuto PI
2024 Girls Band Cry
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.