A work in constant progress (and occasional regress).
Birthplace:
Cali, Colombia
Born:
June 15, 1985
Carolina Ravassa is an actress, dancer and voice over artist. She's lived in many different countries, therefore she's fluent in English, Spanish, Portuguese and Italian. She spent her childhood between Colombia and the US, where she developed a passion for acting and an addiction to salsa dancing. She went on to study in Spain and Italy, and discovered the power of socio-political change through Theatre of the Oppressed with Augusto Boal in Brazil. She got a Theatre Arts degree at Boston College and continued her film studies at The New York Conservatory for Dramatic Arts. She is now pursuing her acting career in NYC and has been in several films and theatre productions. She is managed by Tsu Tsu Stanton.
Executive Producer:
2022 Backwards Faces
Producer:
2022 Backwards Faces
2023 Morgan's Mask
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.