A work in constant progress (and occasional regress).
Alias:
Brad Liew
Bradley Liew is a Malaysian born-Philippines based filmmaker who works as a Director, Producer and Cinematographer in both countries. In 2012, he was accepted into the Asian Film Academy of the Busan IFF where he won the Lumos Award for Outstanding Performance from celebrated Chinese filmmaker Jia Zhangke. He is also an alumnus of the NAFF Fanastic Film School, Berlinale Talents, Tokyo Talents, Locarno Filmmakers Academy, Eave Ties that Bind and the Sam Spiegel International Film Lab. In 2016, he completed his first feature film, a Malaysia-Philippine coproduction entitled Singing In Graveyards, which was the recipient of the Visions Sud Est Production Support Fund, the Southeast Asian Film Lab Most Promising Project Award and the Talents Tokyo Next Masters Support Program International Promotion Fund under Producer Bianca Balbuena. Singing In Graveyards made its world premiere in-competition at the 2016 Venice International Film Critics' Week. It went on to festivals such as Thessaloniki, Mostra Sao Paulo, Busan, Hawaii, Minsk, Singapore and won best film in both Kolkata and Malaysia.
Camera Operator:
2014 We Need To Break Up
Cinematography:
2014 Conscience
2014 Soap Opera
2014 We Need To Break Up
Co-Producer:
2014 Conscience
2014 Soap Opera
2014 We Need To Break Up
2022 Nocebo
2024 Cu Li Never Cries
Creator:
2014 Conscience
2014 Soap Opera
2014 We Need To Break Up
2018 Doors: Team B Terror
2022 Nocebo
2024 Cu Li Never Cries
Director:
2013 Mack
2014 Conscience
2014 Soap Opera
2014 Star
2014 We Need To Break Up
2015 Describe The Color Red To A Blind Man
2015 Describe the Color Red to a Blind Man
2016 Singing in Graveyards
2018 Doors: Team B Terror
2020 Motel Acacia
2022 Nocebo
2024 Cu Li Never Cries
???? Speed, Glue, and Shinki
Editor:
2013 Mack
2014 Conscience
2014 Soap Opera
2014 Star
2014 We Need To Break Up
2015 Describe The Color Red To A Blind Man
2015 Describe the Color Red to a Blind Man
2016 Singing in Graveyards
2018 Doors: Team B Terror
2019 Ma
2020 Motel Acacia
2022 Nocebo
2024 Cu Li Never Cries
???? Speed, Glue, and Shinki
Producer:
2013 Mack
2014 Conscience
2014 Soap Opera
2014 Star
2014 We Need To Break Up
2015 Describe The Color Red To A Blind Man
2015 Describe the Color Red to a Blind Man
2016 Singing in Graveyards
2018 Doors: Team B Terror
2018 Season of the Devil
2019 Ma
2020 Midnight in a Perfect World
2020 Motel Acacia
2022 Nocebo
2023 Essential Truths of the Lake
2023 In My Mother's Skin
2023 When the Waves Are Gone
2024 Cold Cut
2024 Cu Li Never Cries
2024 I Am Not Big Bird
2024 Nightbirds
2024 Silig
2024 Walay Balay
???? Speed, Glue, and Shinki
Screenplay:
2013 Mack
2014 Conscience
2014 Soap Opera
2014 Star
2014 We Need To Break Up
2015 Describe The Color Red To A Blind Man
2015 Describe the Color Red to a Blind Man
2016 Singing in Graveyards
2018 Doors: Team B Terror
2018 Season of the Devil
2019 Ma
2020 Midnight in a Perfect World
2020 Motel Acacia
2022 Nocebo
2023 Essential Truths of the Lake
2023 In My Mother's Skin
2023 When the Waves Are Gone
2024 Cold Cut
2024 Cu Li Never Cries
2024 I Am Not Big Bird
2024 Nightbirds
2024 Silig
2024 Walay Balay
???? Speed, Glue, and Shinki
Sound Designer:
2013 Mack
2014 Conscience
2014 Soap Opera
2014 Star
2014 We Need To Break Up
2015 Describe The Color Red To A Blind Man
2015 Describe the Color Red to a Blind Man
2016 Singing in Graveyards
2018 Doors: Team B Terror
2018 Season of the Devil
2019 Ma
2020 Midnight in a Perfect World
2020 Motel Acacia
2022 Nocebo
2023 Essential Truths of the Lake
2023 In My Mother's Skin
2023 When the Waves Are Gone
2024 Cold Cut
2024 Cu Li Never Cries
2024 I Am Not Big Bird
2024 Nightbirds
2024 Silig
2024 Walay Balay
???? Speed, Glue, and Shinki
Writer:
2013 Mack
2014 Conscience
2014 Soap Opera
2014 Star
2014 We Need To Break Up
2015 Describe The Color Red To A Blind Man
2015 Describe the Color Red to a Blind Man
2016 Singing in Graveyards
2018 Doors: Team B Terror
2018 Season of the Devil
2019 Ma
2020 Midnight in a Perfect World
2020 Motel Acacia
2022 Nocebo
2023 Essential Truths of the Lake
2023 In My Mother's Skin
2023 When the Waves Are Gone
2024 Cold Cut
2024 Cu Li Never Cries
2024 I Am Not Big Bird
2024 Nightbirds
2024 Silig
2024 Walay Balay
???? Speed, Glue, and Shinki
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.