A work in constant progress (and occasional regress).
Alias:
Dimitri Kirsanov
Markus David Sussmanovitch Kaplan
Дими́трий Кирса́нов
Димитрий Кирсанов
Birthplace:
Tartu, Estonia
Born:
March 6, 1899
Died:
February 11, 1957
Dimitri Kirsanoff (Russian: Дими́трий Кирса́нов) was an early filmmaker, considered part of the French Impressionist movement in film. He is known for his inexpensively made experimental films. Kirsanoff was born Markus David Sussmanovitch Kaplan in Tartu (then Juryev), Estonia, then Russian Empire in 1899 to Lithuanian Jewish parents. In the early 1920s he moved to Paris and became involved in cinema through playing cello in the orchestra at showings. He began making films on his own, and never worked with a production company. Kirsanoff was at the forefront of Parisian avant-garde filmmaking thanks to works such as Ménilmontant (1926), which combined soviet style montage with hand-held camerawork and lyrically composed static shots. Kirsanoff's early silent films, many starring his first wife Nadia Sibirskaia, are considered his best works. With the coming of sound the quality of his output declined, though he continued to direct commercial ventures into the 1950's. He was married to the actress Nadia Sibirskaïa who starred in several of his early films. His second marriage was to editor Monique Kirsanoff.
Camera Operator:
1926 Ménilmontant
Director:
1924 L'Ironie du destin
1926 Ménilmontant
1927 Destin
1928 Sables
1929 Autumn Mists
1934 The Kidnapping
1935 Scrupule
1935 The Cradles
1936 The Fountain of Arethusa
1936 Young Girl in the Garden
1937 Franco de port
1938 The Midnight Airplane
1938 The Most Beautiful Girl in the World
1946 Sunless Neighborhood
1946 Two Friends
1950 Backward Season
1950 Various Facts About Paris
1951 Death of a Stag
1953 The Midnight Witness
1955 Le Crâneur
1956 Tonight the Skirts Fly
1957 Miss Catastrophe
Editor:
1924 L'Ironie du destin
1926 Ménilmontant
1927 Destin
1928 Sables
1929 Autumn Mists
1934 The Kidnapping
1935 Scrupule
1935 The Cradles
1936 The Fountain of Arethusa
1936 Young Girl in the Garden
1937 Franco de port
1938 The Midnight Airplane
1938 The Most Beautiful Girl in the World
1946 Sunless Neighborhood
1946 Two Friends
1950 Backward Season
1950 Various Facts About Paris
1951 Death of a Stag
1953 The Midnight Witness
1955 Le Crâneur
1956 Tonight the Skirts Fly
1957 Miss Catastrophe
Producer:
1924 L'Ironie du destin
1926 Ménilmontant
1927 Destin
1928 Sables
1929 Autumn Mists
1934 The Kidnapping
1935 Scrupule
1935 The Cradles
1936 The Fountain of Arethusa
1936 Young Girl in the Garden
1937 Franco de port
1938 The Midnight Airplane
1938 The Most Beautiful Girl in the World
1946 Sunless Neighborhood
1946 Two Friends
1950 Backward Season
1950 Various Facts About Paris
1951 Death of a Stag
1953 The Midnight Witness
1955 Le Crâneur
1956 Tonight the Skirts Fly
1957 Miss Catastrophe
Writer:
1924 L'Ironie du destin
1926 Ménilmontant
1927 Destin
1928 Sables
1929 Autumn Mists
1934 The Kidnapping
1935 Scrupule
1935 The Cradles
1936 The Fountain of Arethusa
1936 Young Girl in the Garden
1937 Franco de port
1938 The Midnight Airplane
1938 The Most Beautiful Girl in the World
1946 Sunless Neighborhood
1946 Two Friends
1950 Backward Season
1950 Various Facts About Paris
1951 Death of a Stag
1953 The Midnight Witness
1955 Le Crâneur
1956 Tonight the Skirts Fly
1957 Miss Catastrophe
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.