A work in constant progress (and occasional regress).
The artistic path of Yan Giroux began in contemporary poetry. Ever since, his work draws its inspiration from detailed observation of the world. Be it in documentary or fiction, Yan Giroux directs impressionistic films that privilege the cinematic experience. His films are deliberately paced while infused with the symbols present in the landscapes surrounding his characters. Amongst his principal works are: Cubanos, a feature length documentary film about Cuban identity (presented at the Boston Latino International Film Festival, the Detroit International Documentary Festival, the AFIA Film Festival and many others); Elegant, a feature length documentary that plunges us into the decadent life of an Independent music group (The New cinema Festival of Montreal); I need to talk to my father, a short film co-directed with Mathieu Jacques; Synchro, a short film created for the Montreal Biennale in 2009, and Surveillant, his most recent work, which is currently starting its festival run.
Director:
2007 Il faut que je parle à mon père
2009 Élégant
2011 Surveillant
2014 Mi niña mi vida
2017 Lost Paradise Lost
2018 For Those Who Don't Read Me
2022 Standardized Patient Program
Editor:
2007 Il faut que je parle à mon père
2009 Élégant
2011 Surveillant
2014 Mi niña mi vida
2017 Lost Paradise Lost
2018 For Those Who Don't Read Me
2022 Standardized Patient Program
Screenplay:
2007 Il faut que je parle à mon père
2009 Élégant
2011 Surveillant
2014 Mi niña mi vida
2017 Lost Paradise Lost
2018 For Those Who Don't Read Me
2022 Standardized Patient Program
Writer:
2007 Il faut que je parle à mon père
2009 Élégant
2011 Surveillant
2014 Mi niña mi vida
2017 Lost Paradise Lost
2018 For Those Who Don't Read Me
2022 Standardized Patient Program
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.