A work in constant progress (and occasional regress).
Born:
March 14, 1932
Died:
July 13, 2002
Carey Blyton (14 March 1932 – 13 July 2002) was a British composer and writer best known for his song "Bananas in Pyjamas" (1969)—which later became the theme tune for an Australian children's television series—and for his work on Doctor Who. Having had a late start to his career, he mainly worked as a miniaturist, composing short orchestral scores and humorous pieces such as "Return of Bulgy Gogo", "Up the Faringdon Road", "Mock Joplin" and "Saxe Blue"; in addition, he assisted Benjamin Britten as a music editor. Blyton wrote incidental music for three stories in the BBC Doctor Who television series: Doctor Who and the Silurians (1970), Death to the Daleks (1974), and Revenge of the Cybermen (1975).[2] He was noted for his use of primitive musical instruments, using crumhorns to depict the Silurians in Doctor Who and the Silurians, and serpents and ophicleides in Revenge of the Cybermen. Several CDs of his work were produced, notably, Sherlock Holmes meets Dr Who, showcasing his work for an unmade Sherlock Holmes animated series, cues from all three of his Doctor Who stories, and other classics such as Saxe Blue.
Music:
1966 Low Water
1967 The Furry Folk on Holiday
1973 Capital City
2010 The Tin Men and the Witch
Original Music Composer:
1966 Low Water
1967 The Furry Folk on Holiday
1970 Doctor Who and the Silurians
1973 Capital City
1974 Doctor Who: Death to the Daleks
1975 Doctor Who: Revenge of the Cybermen
2010 The Tin Men and the Witch
Original Music Composer:
1963 Doctor Who
1964 The Wednesday Play
1970 Play for Today
Theme Song Performance:
1963 Doctor Who
1964 The Wednesday Play
1970 Play for Today
1992 Bananas in Pyjamas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.