A work in constant progress (and occasional regress).
Birthplace:
Australia
Born:
November 14, 1954
From Wikipedia, the free encyclopedia Gale Edwards (born 14 November 1954) is an Australian theatre director, who has worked extensively throughout Australia and internationally. She has also directed for television and film. She began her career at Adelaide youth theatre company Energy Connection. From 1986 to 1989 she was Associate Director of the State Theatre Company of South Australia, has been an Artistic Director of the Melbourne Theatre Company and has worked with every other major theatre Australian company, including the Sydney Theatre Company and Opera Australia. Internationally, Edwards directed the 1996 London revival of Jesus Christ Superstar, which opened on Broadway in 2000, and for which she won an Emmy Award for a recording of the production. Edwards contributed to the book of the musical Whistle Down The Wind, for which she directed the West End production. Edwards has also directed for the Royal Shakespeare Company and Shakespeare Theatre Company (Washington D.C.). She directed the premiere production of The Boy from Oz. Edwards has been the recipient of three Sydney Critics Circle Awards, four Green Room Awards, two Mo Awards, an Emmy, two Helpmann Awards, a Sydney Critics Award, two nominations for Helen Hayes Awards, and a 2000 Centenary Medal 'for Service to Australian Society'. Description above from the Wikipedia article Sharon Angela, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.