A work in constant progress (and occasional regress).
Alias:
Norman Langley
Birthplace:
London, England, UK
Born:
October 10, 1935
"B" Camera Operator:
2000 Supernova
Assistant Director of Photography:
1957 Moving with the Times
2000 Supernova
Camera Operator:
1957 Moving with the Times
1968 The Charlton Boys
1970 A Study in Change
1985 Just One of the Guys
1991 Oscar
1992 Pure Country
1993 Geronimo: An American Legend
2000 Supernova
Cinematography:
1957 Moving with the Times
1968 The Charlton Boys
1970 A Study in Change
1983 Forever Young
1985 Just One of the Guys
1991 Oscar
1992 Pure Country
1993 Geronimo: An American Legend
2000 Supernova
Director of Photography:
1957 Moving with the Times
1968 The Charlton Boys
1970 A Study in Change
1970 Man of Violence
1971 Die Screaming Marianne
1977 The Story of Ruth Ellis
1980 Tourist
1981 Thornwell
1983 Forever Young
1983 House of the Long Shadows
1984 Where Is Parsifal?
1985 Just One of the Guys
1989 And a Nightingale Sang
1989 Wilt
1990 Jekyll & Hyde
1991 Oscar
1992 Pure Country
1993 Geronimo: An American Legend
2000 Supernova
Electrician:
1957 Moving with the Times
1968 The Charlton Boys
1970 A Study in Change
1970 Man of Violence
1971 Die Screaming Marianne
1977 The Story of Ruth Ellis
1980 Tourist
1981 Thornwell
1983 Forever Young
1983 House of the Long Shadows
1984 Where Is Parsifal?
1985 Just One of the Guys
1989 And a Nightingale Sang
1989 Wilt
1990 Jekyll & Hyde
1991 Oscar
1992 Pure Country
1993 Geronimo: An American Legend
1996 Star Trek: First Contact
2000 Supernova
Camera Operator:
1997 The Practice
Director of Photography:
1975 The Sweeney
1977 The Professionals
1979 Danger UXB
1997 The Practice
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.