A work in constant progress (and occasional regress).
Camera Department Production Assistant:
2012 Top Gear: 50 Years of Bond Cars
Camera Operator:
1969 Engines Must Not Enter the Potato Siding
1981 Return Journey
1985 Studs Terkel's Chicago
1987 Chasing a Rainbow: The Life of Josephine Baker
1990 Oooh Er Missus! The Frankie Howerd Story
1990 The Return of the Green Man
1990 Women Like Us
1992 Cinéma! Cinéma! The French New Wave
1992 SS-3: The Assassination of Reinhard Heydrich
1997 Oscar
1998 Universal Horror
2012 Top Gear: 50 Years of Bond Cars
Cinematography:
1969 Engines Must Not Enter the Potato Siding
1981 Return Journey
1985 Studs Terkel's Chicago
1987 Chasing a Rainbow: The Life of Josephine Baker
1990 Oooh Er Missus! The Frankie Howerd Story
1990 The Return of the Green Man
1990 Women Like Us
1992 Cinéma! Cinéma! The French New Wave
1992 SS-3: The Assassination of Reinhard Heydrich
1992 The Search For Robert Johnson
1997 Oscar
1998 Universal Horror
2011 Queen: Days of Our Lives
2012 Top Gear: 50 Years of Bond Cars
Director of Photography:
1969 Engines Must Not Enter the Potato Siding
1981 Return Journey
1985 Studs Terkel's Chicago
1987 Chasing a Rainbow: The Life of Josephine Baker
1990 Motion and Emotion: The Films of Wim Wenders
1990 Oooh Er Missus! The Frankie Howerd Story
1990 The Return of the Green Man
1990 Women Like Us
1992 Cinéma! Cinéma! The French New Wave
1992 SS-3: The Assassination of Reinhard Heydrich
1992 The Search For Robert Johnson
1997 Oscar
1998 Universal Horror
2011 Queen: Days of Our Lives
2012 Top Gear: 50 Years of Bond Cars
Camera Operator:
1975 Fabulous Animals
2003 Days That Shook the World
2006 Legends
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.