A work in constant progress (and occasional regress).
Alias:
Mark De Gli Antoni
Birthplace:
San Francisco, California, USA
Born:
June 20, 1962
Mark degli Antoni is an American film composer, keyboardist, and sound artist based in New York City and Los Angeles. He is a co-founder of the Warner Bros band Soul Coughing. He has scored films for Werner Herzog, Maya Daisy Hawke, William Wegman, Shiori Itō, Matt Ruskin, Tania Raymonde, Roger Ross Williams, Wallace Shawn, AJ Schnack, Sarah Adina Smith, and Joe Bini, among others.
Music:
1998 El Oso Sound Cartoons
2006 Contour
2011 Into the Abyss
2012 Gun
2015 Transgender, at War and in Love
2016 Dogwalker
2016 Swallowed
2018 The Rachel Divide
2019 You Don't Nomi
???? St. Louise
Original Music Composer:
1998 El Oso Sound Cartoons
2002 Cherish
2004 Marie and Bruce
2006 Contour
2011 Into the Abyss
2012 Gun
2013 From One Second to the Next
2013 God Loves Uganda
2013 Koch
2014 She's Beautiful When She's Angry
2015 Transgender, at War and in Love
2015 Twinsters
2016 Dogwalker
2016 Holidays
2016 Lo and Behold: Reveries of the Connected World
2016 Swallowed
2017 Discreet
2017 Get Me Roger Stone
2017 Man in Red Bandana
2018 The Rachel Divide
2019 You Don't Nomi
2024 Black Box Diaries
???? St. Louise
Sound:
1998 El Oso Sound Cartoons
2002 Cherish
2004 Marie and Bruce
2006 Contour
2011 Into the Abyss
2012 Gun
2013 From One Second to the Next
2013 God Loves Uganda
2013 Koch
2014 She's Beautiful When She's Angry
2015 Transgender, at War and in Love
2015 Twinsters
2016 Dogwalker
2016 Holidays
2016 Lo and Behold: Reveries of the Connected World
2016 Swallowed
2017 Discreet
2017 Get Me Roger Stone
2017 Man in Red Bandana
2018 Babalon Working
2018 The Rachel Divide
2019 You Don't Nomi
2024 Black Box Diaries
???? St. Louise
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.