A work in constant progress (and occasional regress).
Alias:
Bill Fields
Charles Bogle
Mahatma Kane Jeeves
Otis Criblecoblis
William Claude Dukenfield
Birthplace:
Darby, Pennsylvania, USA
Born:
January 29, 1880
Died:
December 25, 1946
William Claude Dukenfield was the eldest of five children born to Cockney immigrant James Dukenfield and Philadelphia native Kate Felton. He went to school for four years, then quit to work with his father selling vegetables from a horse cart. At eleven, after many fights with his alcoholic father (who hit him on the head with a shovel), he ran away from home. For a while he lived in a hole in the ground, depending on stolen food and clothing. He was often beaten and spent nights in jail. His first regular job was delivering ice. By age thirteen he was a skilled pool player and juggler. It was then, at an amusement park in Norristown PA, that he was first hired as an entertainer. There he developed the technique of pretending to lose the things he was juggling. In 1893 he was employed as a juggler at Fortescue's Pier, Atlantic City. When business was slow he pretended to drown in the ocean (management thought his fake rescue would draw customers). By nineteen he was billed as "The Distinguished Comedian" and began opening bank accounts in every city he played. At age twenty-three he opened at the Palace in London and played with Sarah Bernhardt at Buckingham Palace. He starred at the Folies-Bergere (young Charles Chaplin and Maurice Chevalier were on the program). He was in each of the Ziegfeld Follies from 1915 through 1921. He played for a year in the highly praised musical "Poppy" which opened in New York in 1923. In 1925 D.W. Griffith made a movie of the play, renamed Sally of the Sawdust (1925), starring Fields. Pool Sharks (1915), Fields' first movie, was made when he was thirty-five. He settled into a mansion near Burbank, California and made most of his thirty-seven movies for Paramount. He appeared in mostly spontaneous dialogs on Charlie McCarthy's radio shows. In 1939 he switched to Universal where he made films written mainly by and for himself. He died after several serious illnesses, including bouts of pneumonia.
Director:
1935 Man on the Flying Trapeze
Screenplay:
1935 Man on the Flying Trapeze
1940 My Little Chickadee
1940 The Bank Dick
Story:
1933 Too Many Highballs
1934 It's a Gift
1934 The Old-Fashioned Way
1935 Man on the Flying Trapeze
1939 You Can't Cheat an Honest Man
1940 My Little Chickadee
1940 The Bank Dick
1941 Never Give a Sucker an Even Break
Writer:
1915 Pool Sharks
1930 The Golf Specialist
1932 The Dentist
1933 The Barber Shop
1933 The Fatal Glass of Beer
1933 The Pharmacist
1933 Too Many Highballs
1934 It's a Gift
1934 The Old-Fashioned Way
1935 Man on the Flying Trapeze
1939 You Can't Cheat an Honest Man
1940 My Little Chickadee
1940 The Bank Dick
1941 Never Give a Sucker an Even Break
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.