A work in constant progress (and occasional regress).
Born:
September 14, 1913
Died:
August 27, 1973
Camera Operator:
1938 N or NW
1941 Target for Tonight
1949 The People at No. 19
Cinematography:
1936 Rainbow Dance
1938 N or NW
1938 What’s on Today
1941 Ordinary People
1941 Target for Tonight
1942 Alice in Switzerland
1944 Two Fathers
1945 Children's Charter
1949 The People at No. 19
1952 To the Rescue
1955 A Body Like Mine
1955 Children Galore
1955 The Master Plan
Director of Photography:
1935 The King's Stamp
1936 Calendar of the Year
1936 Night Mail
1936 Rainbow Dance
1938 N or NW
1938 North Sea
1938 What’s on Today
1941 Ordinary People
1941 Target for Tonight
1942 Alice in Switzerland
1942 Coastal Command
1944 Two Fathers
1945 Children's Charter
1949 The People at No. 19
1952 The Stranger Left No Card
1952 To the Rescue
1953 The Limping Man
1954 Final Appointment
1954 Impulse
1954 The Embezzler
1955 A Body Like Mine
1955 Children Galore
1955 The Delavine Affair
1955 The Master Plan
Lighting Camera:
1935 The King's Stamp
1936 Calendar of the Year
1936 Night Mail
1936 Rainbow Dance
1938 N or NW
1938 North Sea
1938 What’s on Today
1941 Ordinary People
1941 Target for Tonight
1942 Alice in Switzerland
1942 Coastal Command
1944 Two Fathers
1945 Children's Charter
1949 The People at No. 19
1951 Out of True
1952 The Stranger Left No Card
1952 To the Rescue
1953 The Limping Man
1954 Final Appointment
1954 Impulse
1954 The Embezzler
1955 A Body Like Mine
1955 Children Galore
1955 The Delavine Affair
1955 The Master Plan
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.