A work in constant progress (and occasional regress).
Alias:
Carlos Cabezas Rocuant
Carlos Rafael Cabezas Rocuant
Born:
February 16, 1955
Music Producer:
1999 Revenge
1999 The Sentimental Teaser
2007 Radio Corazón
2009 Phase 3
Musician:
1999 Revenge
1999 The Sentimental Teaser
2007 Radio Corazón
2009 Phase 3
2012 The Office Trip
Original Music Composer:
1990 País de octubre
1998 Este mar sabe demasiado, Takilleitor
1999 Revenge
1999 The Sentimental Teaser
2001 A Sure Deal
2001 Loco Fever
2007 Radio Corazón
2009 Phase 3
2012 No
2012 The Office Trip
2014 Aurora
2015 The Club
2016 Chameleon
2016 Neruda
2018 Swimmer
2020 Nobody Knows I'm Here
2022 Burning Patience
2022 La Verónica
Sound Engineer:
1990 País de octubre
1998 Este mar sabe demasiado, Takilleitor
1999 Revenge
1999 The Sentimental Teaser
2001 A Sure Deal
2001 Loco Fever
2007 Radio Corazón
2009 Phase 3
2012 No
2012 The Office Trip
2014 Aurora
2015 The Club
2016 Chameleon
2016 Neruda
2018 Swimmer
2020 Nobody Knows I'm Here
2022 Burning Patience
2022 La Verónica
Sound Mixer:
1990 País de octubre
1998 Este mar sabe demasiado, Takilleitor
1999 Revenge
1999 The Sentimental Teaser
2001 A Sure Deal
2001 Loco Fever
2007 Radio Corazón
2009 Phase 3
2012 No
2012 The Office Trip
2014 Aurora
2015 The Club
2016 Chameleon
2016 Neruda
2018 Swimmer
2020 Nobody Knows I'm Here
2022 Burning Patience
2022 La Verónica
Main Title Theme Composer:
2015 The Culture of Sex
Original Music Composer:
2005 ExpedienTV
2015 The Culture of Sex
2022 42 Days of Darkness
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.