A work in constant progress (and occasional regress).
Alias:
Ирина Акташева
Birthplace:
Yolatan, Turkmen SSR, USSR
Born:
October 6, 1931
Died:
February 11, 2018
Irina Aktasheva was born on 6 October, 1931 in Yolatan, Turkmen SSR, USSR. She graduated acting with Sergey Gerasimov and Tamara Makarova at the All-Russian State University of Cinematography, VGIK in Moscow in 1953 where she met director Hristo Piskov, whose partner in the profession and in life she remained until the end of his days. She has worked at the Film Actors’ Theatre in Moscow (1953-1955). After their return to Bulgaria in 1955 the two worked at the Feature Film Studio, to begin with as assistant directors. Irina Aktasheva has one role to her name – Lyudmila in The commander of the detachment (1959) directed by Ducho Mundrov in which she acts opposite Kosta Tsonev. The debut of the two young film directors Poor man’s street (1960), awarded First Prize at the Golden Rose Feature Festival in Varna, heralded the emergence of a new phenomenon in Bulgarian filmmaking. Their first success was followed by another with their second film There is no death (1963). But their third film Monday morning (1966) was banned for 22 whole years – until October 1988. In 1989 it was awarded the Special Prize of the Union of Bulgarian Filmmakers, the Best Actress Award to Pepa Nikolova and the Prize for Cinematography to Dimo Kolarov.
Assistant Director:
1960 Poor Street
Director:
1960 Poor Street
1963 There Is No Death
1977 Sunstroke
1982 Avalanche
1987 Only You, My Heart
1988 Monday Morning
Writer:
1960 Poor Street
1963 There Is No Death
1977 Sunstroke
1982 Avalanche
1987 Only You, My Heart
1988 Monday Morning
1990 Live Dangerously
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.