A work in constant progress (and occasional regress).
"B" Camera Operator:
2000 Mr. Accident
Additional Camera:
2000 Mr. Accident
2001 La spagnola
Assistant Camera:
1991 Return to the Blue Lagoon
1994 Dallas Doll
1994 Spider and Rose
2000 Mr. Accident
2001 La spagnola
Camera Operator:
1991 Return to the Blue Lagoon
1994 Dallas Doll
1994 Spider and Rose
1998 Dark City
1999 The Matrix
2000 Mr. Accident
2001 Birthday Girl
2001 La spagnola
Cinematography:
1991 Return to the Blue Lagoon
1994 Dallas Doll
1994 Spider and Rose
1998 Dark City
1999 The Matrix
2000 Mr. Accident
2001 Birthday Girl
2001 La spagnola
2004 Love in the First Degree
2013 Inside
Director of Photography:
1991 Return to the Blue Lagoon
1994 Dallas Doll
1994 Spider and Rose
1998 Dark City
1999 The Matrix
2000 Mr. Accident
2001 Birthday Girl
2001 La spagnola
2004 Love in the First Degree
2007 Cross Life
2013 Inside
First Assistant Camera:
1987 Predator
1991 Return to the Blue Lagoon
1994 Dallas Doll
1994 Spider and Rose
1998 Dark City
1999 The Matrix
2000 Mr. Accident
2001 Birthday Girl
2001 La spagnola
2004 Love in the First Degree
2007 Cross Life
2013 Inside
Focus Puller:
1987 Predator
1987 The Time Guardian
1991 Return to the Blue Lagoon
1994 Dallas Doll
1994 Spider and Rose
1998 Dark City
1999 The Matrix
2000 Mr. Accident
2001 Birthday Girl
2001 La spagnola
2004 Love in the First Degree
2007 Cross Life
2013 Inside
Steadicam Operator:
1987 Predator
1987 The Time Guardian
1991 Return to the Blue Lagoon
1994 Dallas Doll
1994 Spider and Rose
1996 Children of the Revolution
1998 Dark City
1998 Dead Letter Office
1999 The Matrix
2000 Mr. Accident
2001 Birthday Girl
2001 La spagnola
2004 Love in the First Degree
2005 Feed
2005 Man-Thing
2007 Cross Life
2013 Inside
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.