A work in constant progress (and occasional regress).
"B" Camera Operator:
2023 The Equalizer 3
2024 Conclave
Camera Operator:
2002 Casomai
2002 Il trasformista
2010 Kiss Me Again
2014 Hercules
2015 Tale of Tales
2016 Summertime
2021 Voyagers
2022 Mr. Malcolm's List
2023 The Equalizer 3
2024 Conclave
Director of Photography:
2002 Casomai
2002 Il trasformista
2010 Kiss Me Again
2014 Hercules
2015 Tale of Tales
2016 Summertime
2021 Voyagers
2022 Mr. Malcolm's List
2023 The Equalizer 3
2024 Conclave
Second Unit:
2002 Casomai
2002 Il trasformista
2010 Kiss Me Again
2014 Hercules
2015 Tale of Tales
2016 Summertime
2021 Voyagers
2022 Mr. Malcolm's List
2023 The Equalizer 3
2024 Conclave
Second Unit Cinematographer:
2002 Casomai
2002 Il trasformista
2010 Kiss Me Again
2010 The American
2014 Hercules
2015 Tale of Tales
2016 Summertime
2021 Voyagers
2022 Mr. Malcolm's List
2023 The Equalizer 3
2024 Conclave
Steadicam Operator:
2002 Casomai
2002 Il trasformista
2006 Captain Alatriste: The Spanish Musketeer
2010 Kiss Me Again
2010 The American
2013 The Great Beauty
2014 Hercules
2015 Tale of Tales
2016 Summertime
2017 American Assassin
2017 My Cousin Rachel
2017 Voice from the Stone
2018 Dogman
2018 Maze Runner: The Death Cure
2021 Voyagers
2022 Mr. Malcolm's List
2023 The Boys in the Boat
2023 The Equalizer 3
2024 Conclave
Steadycam:
2002 Casomai
2002 Il trasformista
2004 RRRrrrr!!!
2006 Captain Alatriste: The Spanish Musketeer
2010 Kiss Me Again
2010 The American
2013 The Great Beauty
2014 Hercules
2015 Tale of Tales
2016 Summertime
2017 American Assassin
2017 My Cousin Rachel
2017 Voice from the Stone
2018 Dogman
2018 Maze Runner: The Death Cure
2021 Voyagers
2022 Mr. Malcolm's List
2023 The Boys in the Boat
2023 The Equalizer 3
2024 Conclave
Camera Operator:
2018 Trust
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.