A work in constant progress (and occasional regress).
Birthplace:
Lisbon, Portugal
She was born in Lisbon in 1974. In 1998 she received a B.A. in Communication Sciences from Lisbon’s Nova University. She directed the documentaries “Active Life” (2013) and “O Que Pode Um Rosto” (2003), as well as the short films “Trials, Exorcisms” (2015), “Lisbon-Province” (2010), and “Estados da Matéria” (2006) Her films have been shown in the following festivals: Cannes (Directors’ Fortnight), Rotterdam, Angers, Vila do Conde, Rio de Janeiro, Vienna, Montevideo, among others. Since 2006 she has been a member of the production company Terratreme (former Raiva), where she has worked as an executive producer in many projects.
Art Direction:
2019 Ordinary Time
Director:
2003 O que pode um rosto
2005 Estados da Matéria
2010 Lisbon-Province
2014 Vida Activa
2015 Trials, Exorcisms
2019 Ordinary Time
2021 Jack’s Ride
2024 Cidade Rabat
Director of Photography:
2003 O que pode um rosto
2005 Estados da Matéria
2010 Lisbon-Province
2014 Vida Activa
2015 Trials, Exorcisms
2019 Ordinary Time
2021 Jack’s Ride
2024 Cidade Rabat
Editor:
2003 O que pode um rosto
2005 Estados da Matéria
2010 Lisbon-Province
2014 Vida Activa
2015 Trials, Exorcisms
2019 Ordinary Time
2021 Jack’s Ride
2024 Cidade Rabat
Executive Producer:
2003 O que pode um rosto
2005 Estados da Matéria
2010 Lisbon-Province
2014 Vida Activa
2015 Maria do Mar
2015 Trials, Exorcisms
2016 In the Darkness of the Theater I Take Off My Shoes
2019 Ordinary Time
2021 Jack’s Ride
2024 Cidade Rabat
2024 When the Land Runs Away
Producer:
2000 Building Materials
2003 O que pode um rosto
2005 Estados da Matéria
2007 Season
2009 Waterland Song
2010 Lisbon-Province
2014 Vida Activa
2015 Maria do Mar
2015 Trials, Exorcisms
2016 Ama-San
2016 Ascension
2016 In the Darkness of the Theater I Take Off My Shoes
2017 Cidade
2017 High Cities of Bone
2017 The Nothing Factory
2017 Tudo o Que Imagino
2018 Campo
2019 Ave Rara
2019 Destiny Deluxe
2019 Lisbon Beat
2019 Ordinary Time
2019 Outside the Oranges Are Blooming
2019 Reynard
2019 Suzanne Daveau
2021 Jack’s Ride
2022 Nameless Heitor
2023 Shimmering Bodies
2023 Tommy Guns
2024 Astrakan 79
2024 Cidade Rabat
2024 Clandestina
2024 When the Land Runs Away
Script:
2000 Building Materials
2003 O que pode um rosto
2005 Estados da Matéria
2007 Season
2009 Waterland Song
2010 Lisbon-Province
2014 Vida Activa
2015 Maria do Mar
2015 Trials, Exorcisms
2016 Ama-San
2016 Ascension
2016 In the Darkness of the Theater I Take Off My Shoes
2017 Cidade
2017 High Cities of Bone
2017 The Nothing Factory
2017 Tudo o Que Imagino
2018 Campo
2019 Ave Rara
2019 Destiny Deluxe
2019 Lisbon Beat
2019 Ordinary Time
2019 Outside the Oranges Are Blooming
2019 Reynard
2019 Suzanne Daveau
2021 Jack’s Ride
2022 Nameless Heitor
2023 Shimmering Bodies
2023 Tommy Guns
2024 Astrakan 79
2024 Cidade Rabat
2024 Clandestina
2024 When the Land Runs Away
Set Decoration:
2000 Building Materials
2003 O que pode um rosto
2005 Estados da Matéria
2007 Season
2009 Waterland Song
2010 Lisbon-Province
2014 Vida Activa
2015 Maria do Mar
2015 Trials, Exorcisms
2016 Ama-San
2016 Ascension
2016 In the Darkness of the Theater I Take Off My Shoes
2017 Cidade
2017 High Cities of Bone
2017 The Nothing Factory
2017 Tudo o Que Imagino
2018 Campo
2019 Ave Rara
2019 Destiny Deluxe
2019 Lisbon Beat
2019 Ordinary Time
2019 Outside the Oranges Are Blooming
2019 Reynard
2019 Suzanne Daveau
2020 Wind Vane
2021 Jack’s Ride
2022 Nameless Heitor
2023 Shimmering Bodies
2023 Tommy Guns
2024 Astrakan 79
2024 Cidade Rabat
2024 Clandestina
2024 When the Land Runs Away
Sound:
2000 Building Materials
2003 O que pode um rosto
2005 Estados da Matéria
2006 The Casino
2007 Season
2009 Waterland Song
2010 Lisbon-Province
2014 Vida Activa
2015 Maria do Mar
2015 Trials, Exorcisms
2016 Ama-San
2016 Ascension
2016 In the Darkness of the Theater I Take Off My Shoes
2017 Cidade
2017 High Cities of Bone
2017 The Nothing Factory
2017 Tudo o Que Imagino
2018 Campo
2019 Ave Rara
2019 Destiny Deluxe
2019 Lisbon Beat
2019 Ordinary Time
2019 Outside the Oranges Are Blooming
2019 Reynard
2019 Suzanne Daveau
2020 Wind Vane
2021 Jack’s Ride
2022 Nameless Heitor
2023 Shimmering Bodies
2023 Tommy Guns
2024 Astrakan 79
2024 Cidade Rabat
2024 Clandestina
2024 When the Land Runs Away
Writer:
2000 Building Materials
2003 O que pode um rosto
2005 Estados da Matéria
2006 The Casino
2007 Season
2009 Waterland Song
2010 Lisbon-Province
2014 Vida Activa
2015 Maria do Mar
2015 Trials, Exorcisms
2016 Ama-San
2016 Ascension
2016 In the Darkness of the Theater I Take Off My Shoes
2017 Cidade
2017 High Cities of Bone
2017 The Nothing Factory
2017 Tudo o Que Imagino
2018 Campo
2019 Ave Rara
2019 Destiny Deluxe
2019 Lisbon Beat
2019 Ordinary Time
2019 Outside the Oranges Are Blooming
2019 Reynard
2019 Suzanne Daveau
2020 Wind Vane
2021 Jack’s Ride
2022 Nameless Heitor
2023 Shimmering Bodies
2023 Tommy Guns
2024 Astrakan 79
2024 Cidade Rabat
2024 Clandestina
2024 When the Land Runs Away
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.