A work in constant progress (and occasional regress).
Filmmaker, she studied at the Universidad de Valparaiso and Universidad Arcis. Her works portray themes ranging from discrimination to complex human relationships. She is the director of the short films Aztlan (2009), Vasnia (2007) and Montgolfier (2006), as well as co-director with José Luis Sepúlveda of the films "Mythomaniac" (2009), "Chronicle of a Committee" (2014), Il Siciliano (2017) and Harley Queen (2019). She also founded the Festival de Cine Social y Antisocial de La Pintana (FECISO)
Art Direction:
2019 Harley Queen
Assistant Director:
2008 The FrogFish
2019 Harley Queen
Costumer:
2008 The FrogFish
2019 Harley Queen
Director:
2006 Montgolfier
2007 Vasnia
2008 The FrogFish
2009 Aztlan
2009 Mitómana
2012 El destapador
2014 Chronicle of a Committee
2018 Il Siciliano
2019 Harley Queen
2024 Dipolo Fase II
Director of Operations:
2004 Ojos Volteadores
2006 Montgolfier
2007 Vasnia
2008 The FrogFish
2009 Aztlan
2009 Mitómana
2012 El destapador
2014 Chronicle of a Committee
2018 Il Siciliano
2019 Harley Queen
2024 Dipolo Fase II
Director of Photography:
2004 Ojos Volteadores
2006 Montgolfier
2007 Vasnia
2008 The FrogFish
2009 Aztlan
2009 Mitómana
2012 El destapador
2014 Chronicle of a Committee
2018 Il Siciliano
2019 Harley Queen
2024 Dipolo Fase II
Editor:
2004 Ojos Volteadores
2006 Montgolfier
2007 Vasnia
2008 The FrogFish
2009 Aztlan
2009 Mitómana
2012 El destapador
2014 Chronicle of a Committee
2018 Il Siciliano
2019 Harley Queen
2024 Dipolo Fase II
Executive Producer:
2004 Ojos Volteadores
2006 Montgolfier
2007 Vasnia
2008 The FrogFish
2009 Aztlan
2009 Mitómana
2012 El destapador
2014 Chronicle of a Committee
2018 Il Siciliano
2019 Harley Queen
2024 Dipolo Fase II
Music:
2004 Ojos Volteadores
2006 Montgolfier
2007 Vasnia
2008 The FrogFish
2009 Aztlan
2009 Mitómana
2012 El destapador
2014 Chronicle of a Committee
2018 Il Siciliano
2019 Harley Queen
2024 Dipolo Fase II
Producer:
2004 Ojos Volteadores
2006 Montgolfier
2007 Vasnia
2008 The FrogFish
2009 Aztlan
2009 Mitómana
2012 El destapador
2014 Chronicle of a Committee
2018 Il Siciliano
2019 Harley Queen
2024 Dipolo Fase II
Production Design:
2004 Ojos Volteadores
2006 Montgolfier
2007 Vasnia
2008 The FrogFish
2009 Aztlan
2009 Mitómana
2012 El destapador
2014 Chronicle of a Committee
2018 Il Siciliano
2019 Harley Queen
2024 Dipolo Fase II
Screenplay:
2004 Ojos Volteadores
2006 Montgolfier
2007 Vasnia
2008 The FrogFish
2009 Aztlan
2009 Mitómana
2012 El destapador
2014 Chronicle of a Committee
2018 Il Siciliano
2019 Harley Queen
2024 Dipolo Fase II
Script:
2004 Ojos Volteadores
2006 Montgolfier
2007 Vasnia
2008 The FrogFish
2009 Aztlan
2009 Mitómana
2012 El destapador
2014 Chronicle of a Committee
2018 Il Siciliano
2019 Harley Queen
2024 Dipolo Fase II
Sound:
2004 Ojos Volteadores
2006 Montgolfier
2007 Vasnia
2008 The FrogFish
2009 Aztlan
2009 Mitómana
2012 El destapador
2014 Chronicle of a Committee
2018 Il Siciliano
2019 Harley Queen
2024 Dipolo Fase II
Writer:
2004 Ojos Volteadores
2006 Montgolfier
2007 Vasnia
2008 The FrogFish
2009 Aztlan
2009 Mitómana
2012 El destapador
2014 Chronicle of a Committee
2018 Il Siciliano
2019 Harley Queen
2024 Dipolo Fase II
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.