A work in constant progress (and occasional regress).
Born:
January 1, 1957
Paul Smaczny is a German-based documentary film-maker and a producer of concert and opera recordings. His latest work is the award-winning Knowledge is the Beginning, about the West-Eastern Divan orchestra.
Director:
1996 Abbado: The Silence that Follows the Music
2004 Pierre Boulez: Emotion and Analysis
2008 El Sistema
2012 Die Thomaner
2012 John Cage: Journeys in Sound
???? Metanoia
Executive Producer:
1996 Abbado: The Silence that Follows the Music
2004 Pierre Boulez: Emotion and Analysis
2008 Americans in Pyongyang
2008 El Sistema
2012 Die Thomaner
2012 John Cage: Journeys in Sound
2015 The Lost Paradise
2019 Taking Risks: Barbara Hannigan
???? Metanoia
Producer:
1996 Abbado: The Silence that Follows the Music
2001 Europakonzert 2001 from Istanbul
2004 Pierre Boulez: Emotion and Analysis
2005 Un Ballo in Maschera
2006 A Night Of Rhythm & Dance (Waldbühne 2000)
2007 Daniel Barenboim: Beethoven - Piano Concertos 1-5
2008 Americans in Pyongyang
2008 El Sistema
2008 Johann Sebastian Bach: Brandenburg Concertos 1-6
2009 Händel Celebration Concert
2009 Mahler: Symphony No. 4 / Schoenberg: Pelleas and Melisande
2012 Die Thomaner
2012 John Cage: Journeys in Sound
2013 Mozart Requiem - Claudio Abbado & Lucerne Festival Orchestra
2015 Adam's Passion
2015 The Lost Paradise
2017 Ludwig van Beethoven: Tripelkonzert op.56
2017 Maestras: The Long Journey of Women to the Podium
2018 Dvořák: From the New World
2018 Music and Power
2018 The Unanswered Ives: American Pioneer of Music
2019 Leidenschaft und Pflicht und Liebe - Die drei Leben der Clara Schumann
2019 Taking Risks: Barbara Hannigan
2019 Universe, Incomplete
2020 Beethoven Reloaded
2020 Prokofiev: Romeo and Juliet
2021 Winterreise
2024 Arnold Schönberg - Der rastlose Visionär
2024 Riccardo Chailly & Alexander Malofeev Lucerne Festival 2024
???? Metanoia
Production Director:
1996 Abbado: The Silence that Follows the Music
2001 Europakonzert 2001 from Istanbul
2004 Pierre Boulez: Emotion and Analysis
2005 Un Ballo in Maschera
2006 A Night Of Rhythm & Dance (Waldbühne 2000)
2007 Daniel Barenboim: Beethoven - Piano Concertos 1-5
2008 Americans in Pyongyang
2008 El Sistema
2008 Johann Sebastian Bach: Brandenburg Concertos 1-6
2009 Händel Celebration Concert
2009 Mahler: Symphony No. 4 / Schoenberg: Pelleas and Melisande
2012 Die Thomaner
2012 John Cage: Journeys in Sound
2012 Mozart - Berliner Philharmoniker - Radek Baborák - Daniel Barenboim
2013 Mozart Requiem - Claudio Abbado & Lucerne Festival Orchestra
2015 Adam's Passion
2015 The Lost Paradise
2017 Ludwig van Beethoven: Tripelkonzert op.56
2017 Maestras: The Long Journey of Women to the Podium
2018 Dvořák: From the New World
2018 Music and Power
2018 The Unanswered Ives: American Pioneer of Music
2019 Leidenschaft und Pflicht und Liebe - Die drei Leben der Clara Schumann
2019 Taking Risks: Barbara Hannigan
2019 Universe, Incomplete
2020 Beethoven Reloaded
2020 Prokofiev: Romeo and Juliet
2021 Winterreise
2024 Arnold Schönberg - Der rastlose Visionär
2024 Riccardo Chailly & Alexander Malofeev Lucerne Festival 2024
???? Metanoia
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.