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Christopher Elke

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Biography from TheMovieDB

Christopher Elke is a visual effects producer at Digital Domain.

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Film Production

Digital Effects Producer:
2007  Postal

Digital Producer:
2007  Postal
2018  A Wrinkle in Time
2018  Ant-Man and the Wasp
2018  Ready Player One
2019  Avengers: Endgame
2022  Morbius

Visual Effects Coordinator:
2001  Josie and the Pussycats
2007  Postal
2014  Big Eyes
2018  A Wrinkle in Time
2018  Ant-Man and the Wasp
2018  Ready Player One
2019  Avengers: Endgame
2022  Morbius

Visual Effects Producer:
2001  Josie and the Pussycats
2004  The Butterfly Effect
2005  BloodRayne
2006  Little Man
2007  Assembly
2007  Daddy Day Camp
2007  Postal
2008  Fifty Dead Men Walking
2008  Passchendaele
2008  Passengers
2008  Stone of Destiny
2009  Attack On Darfur
2009  Jennifer's Body
2009  Rampage
2009  The New Daughter
2010  Ramona and Beezus
2010  The Final Storm
2014  Big Eyes
2014  Night at the Museum: Secret of the Tomb
2015  Mortdecai
2016  Crouching Tiger, Hidden Dragon: Sword of Destiny
2018  A Wrinkle in Time
2018  Ant-Man and the Wasp
2018  Ready Player One
2019  Avengers: Endgame
2022  Morbius
2025  The Electric State
2025  The Fantastic Four: First Steps

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TV Production

Digital Producer:
2022  She-Hulk: Attorney at Law

Visual Effects Producer:
2010  The Cult
2022  She-Hulk: Attorney at Law

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.