Cole Vallis (b. 1998)

Birthplace:
New York City, New York

Born:
October 13, 1998

Cole Vallis is a rising Director of Photography and Steadicam operator based in the New York/ New Jersey area. His career started at an early age as a professional youth actor on television (Gotham, Madam Secretary, Stephen Colbert), in independent films and commercial voice overs. imdb.me/colevallis His interest in production and creative development of projects has become the platform for his growing resume. He has worked heavily alongside ARRI and was a leader in the introduction of the “Trinity 2” and “Artemis 2” systems to the United States. His reputation as a dedicated, honest, resilient, confident team-player that embraces a challenge along with being resourceful in finding ways to create, innovate and ultimately solve problems makes him a solid team member. He continues his passionate quest for knowledge and he is never afraid to ask the proverbial “stupid question”. His production company “Save Art Media” is an independent film company creating work to bring awareness to otherwise unrepresented stories, projects of passion, artistic expression and art that is not funded by Hollywood studios.

Additional information:

The Search Form


Director:
2025  Fly

First Assistant Camera:
2023  Clone
2025  Fly

Steadicam Operator:
2023  Clone
2024  Terrifier 3
2025  Fly
2025  Screamboat

Writer:
2023  Clone
2024  Terrifier 3
2025  Fly
2025  Screamboat

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.