A work in constant progress (and occasional regress).
Mario Furloni is a Brazilian director, writer and cinematographer based in California. His feature debut Freeland (2020) premiered at SXSW and won several awards in the festival circuit. Furloni’s naturalistic camerawork can be seen in recent films such as Tribeca entry The Return and the Oscar-nominated Crip Camp.
Director:
2015 Tem alguém feliz em algum lugar
2017 Gut Hack
2018 Marty
2021 Freeland
2023 Best Friends on a Summer Hike
Director of Photography:
2014 After My Garden Grows
2015 Tem alguém feliz em algum lugar
2017 Gut Hack
2018 Marty
2021 Freeland
2022 In the Bones
2023 Best Friends on a Summer Hike
Writer:
2014 After My Garden Grows
2015 Tem alguém feliz em algum lugar
2017 Gut Hack
2018 Marty
2021 Freeland
2022 In the Bones
2023 Best Friends on a Summer Hike
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.